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Other Guitars

Les Freres Meduses

Put down that taco, Austinites! Whether it’s a delicate touch with nail and flesh or vicious pick scrapes run through seven stompboxes, there are whole worlds of great sounds being created by guitarists you’ve never heard of…yet.

Invisible Cities: Choose Your Own Opera

Christopher Cerrone’s Invisible Cities

At LA’s Union Station last Sunday, I saw composer Christopher Cerrone’s opera based on Calvino’s novel, also called Invisible Cities. The production managed to be at once extravagant and subtle, with the audience listening to the live performance on wireless headphones while wandering freely through an actual, historically scenic train station.

It Takes a Village: Daron Hagen’s A Woman in Morocco

Natalie Cummings and Samantha Liebowitz

No matter how you slice it, overseeing the development of an opera seems a lot like marshaling forces for the invasion of a small country. Hagen’s recently performed (a fully-staged, “pre-professional” workshop) full-length “opera noir,” A Woman in Morocco is no exception.

New England’s Prospect: Anniversary Waltzes—Kronos @ 40 in Providence

Kronos Quartet

After four decades, Kronos is still a new music group that takes its citizenship in the new music community seriously: show me another ensemble that has given more composers both the opportunity and the benefit of a meticulous, passionate performance. The music they cultivate might be geared to what they do well, but what they do well, they do better than anyone.

In Memoriam: Arnold Rosner (1945-2013)

Arnold Rosner

Rosner was one of the true maverick composers of his generation. His music was predicated on the modal polyphony of the Renaissance and early Baroque, as well as on the pre-tonal harmony of late Medieval dance music, and the free triadicism and rhythmic phraseology of that music underlay his entire output, regardless of how far from those sources he ventured.

Mixed Media: Collaborative Music and Visual Art Making for Ten x Ten: 2013

Edie Fake's "10 x 10 colors"

Ten x Ten: 2013 is a collaborative venture between ten Chicago visual artists and ten composers. Working in pairs, they crafted joint “statements of intent” and created pieces of music and art which speak to each other. Andrew Tham and Edie Fake speak here about their journey from collaborative “blind date” to finished piece.

Guided By Sound: Crissy Broadcast Debuts in San Francisco

Images from Crissy Broadcast

Described as a “spatial symphony” composed and directed by Lisa Bielawa, Crissy Broadcast involved hundreds of musicians drawn from a dozen or so local ensembles, including middle school and high school bands and orchestras, adult amateur musicians, two choruses, a traditional Chinese instrument orchestra, and a gaggle of electric guitarists with portable battery-powered speakers slung over their shoulders.

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