Ezra Sims came to a place so uniquely his own that it has no siblings, no cousins, no counterparts. His ear made the demands, and once he found the sound his ears sought, he drew the map for us to retrace his steps back to the music traditions he loved. He was not an iconoclast, but a logical evolutionist, who ironically arrived at his destination by a leap of faith.
The ASCAP Foundation has announced the 26 recipients of the 2015 Herb Alpert Young Jazz Composer Awards who will each receive cash awards and range in age from 16 to 30.
What Andrew Pekler’s project and Vicky Chow’s recital had in common was that they both prompted consideration of a particular feature of technology: the technology you notice is almost always, at the same time, pushing another technology into the unnoticed background.
During his three-year residency, Bates will compose music across artistic genres and curate a new contemporary music series. He will also advance initiatives that use technology to educate audiences and will encourage the inclusion of local artists and DJs in performances at the Kennedy Center.
The 2015 CMA/ASCAP Awards, the “New Music from CMA” commissions’ concert, and the majority of the ensemble showcases at the 37th national conference of Chamber Music America provided a real immersive new music experience—one in which definitions were constantly being expanded and which celebrated diversity and inclusivity.
New Music USA announced yesterday its third round of project grants awards, totaling $284,250 in funding to support artistic work involving a wide range of new American music. The program recognizes and supports the multiple roles composers and contemporary music practitioners play in the artistic landscape and responds to the creative spirit of collaboration between artists […]
The inaugural New Music Gathering in San Francisco was proof in action that an environment that removes the problems of proximity, competition, and ego can generate an immense amount of collaboration, friendship, and growth.
I can’t tell if the Spektral Quartet is getting bigger or smaller. At the quartet’s Saturday night concert, “Snowpocalypse Antidote,” I had the opportunity to reflect on “miniaturization” and the pleasure of small forms. They’re “doing small” in a very big way.
The $5,000 prize was awarded for his Symphony No. 2 (Sinfonia Magalhães), a 30-minute work for orchestra which was selected from among 160 entries.
The Kennedy Center and Washington Performing Arts announce SHIFT: A Festival of American Orchestras, a three-year festival celebrating North American orchestras which will begin in the spring of 2017.