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D.J. Spooky Wins National Geographic Society Emerging Explorer Award

DJSpookyTeaser

Paul D. Miller (a.k.a. D.J. Spooky, That Subliminal Kid) is among 14 recipients of the National Geographic Society’s 2014 Emerging Explorer Awards. The only composer among this group of awardees (who will each receive a $10,000 award to aid further research and exploration), Miller was chosen because his work raises awareness about climate change, sustainability, global culture, and the role of technology in society.

Boston: SICPP’s Love and Geometry

A cynocephalus, from the Nuremberg Chronicle (1493).

On paper, the June 17 concert presented by the Summer Institute for Contemporary Performance Practice, part of the institute’s annual week of new music training, festivities, and shenanigans, made some piece-to-piece local connections but seemed more miscellaneous on a global scale. In performance, though, a theme kept peeking around the edges.

Metropolitan Opera Cancels Death of Klinghoffer Live HD Transmission

John Adams

The Live in HD transmission of The Death of Klinghoffer has been cancelled after concerns were raised that the Metropolitan Opera’s plans to transmit the opera might be used to fan global anti-Semitism. Adams describes the decision as “deeply regrettable” saying it “goes far beyond issues of artistic freedom, and ends in promoting the same kind of intolerance that the opera’s detractors claim to be preventing.”

Boston: Bromp Treb Busts the Matrix

Bromp Treb (Neil Young Cloaca) at Café Fixe, June 10, 2014. Photo by Susanna Bolle.

Neil Young Cloaca is an irrepressible showman. Bromp Treb is an opportunity for him to apply that carnival-barker enthusiasm to a table full of mismatched gear. Cloaca circled the table, triggering highly distorted samples while playing up theatrical befuddlement, as if he was trying to decipher a recalcitrant machine—or defuse an eccentric bomb.

Ciao Manhattan: A Remembrance of Lee Hyla (1952-2014)

Lee Hyla

Lee Hyla (1952-2014) was the “Alpha Composer”—charismatic, at the center of things. Not only composers, but jazz musicians and creative improvisers revered him, his creative energy was infectious. Everybody wanted a part of it, and he was happy to oblige.

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