This Sunday the virtual #musochat salon will hold its third open door event on Twitter to talk creative issues and career quandaries. How did all this get started in the first place? Here’s what we now know…
Earlier this month, we were all finally been able to see what Pluto looks like thanks to NASA’s New Horizons interplanetary space probe. Now, also thanks to NASA, we can all listen to the only album that has thus far physically traveled beyond Pluto–The Golden Record.
A World Wide Web Consortium Music Notation Community Group has been launched as the result of a partnership of MakeMusic, Steinberg, and Hal Leonard/Noteflight.
Chamber Music America has announced the recipients of its 2016 commissioning programs, supporting the creation of new works for small ensembles. CMA will distribute a total of $475,000 to 21 ensembles through two of its major grant programs: New Jazz Works, supported by the Doris Duke Charitable Foundation; and Classical Commissioning, supported by The Andrew W. Mellon Foundation.
In partnership with the Los Angeles-based new music ensemble wild Up, the American Composers Forum has announced the three winners of the 2015 American Composers Forum National Composition Contest, their fourth thus far.
SESAC, one of the three performing rights societies operating in the U.S.A., has agreed to buy the Harry Fox Agency (HFA), which is the pre-eminent American collecting agency for mechanical rights.
When a journalist like Tippett can interview anyone in the world, which musicians does she choose? And what does this tell us about musicians’ perceived impact in the wider world?
The 54 awarded projects include concerts and recordings as well as dance, film, theater, opera, and more, all involving contemporary music as an essential element.
James Horner was a true gentleman, a smart businessman, an excellent teacher, a sensitive artist with a big heart, and a composer who loved the art of collaboration—despite not always getting his way.
The National Composers Intensive, organized by the LA Philharmonic, invited ten collegiate composers to write for wild Up. While readings of student works are not uncommon in the new music world, the Intensive was unusual in that composers had multiple opportunities to hear and revise their works.