As soon as David Stock got know you, he began to meditate on how his network could be used to help you—to make connections, to further your creativity, to further the cause of new music, and even to help you make a living. For as brilliant and accomplished as he was, he was a staunch anti-snob and always remembered how it felt to be starting out.
The Foundation has announced that it will award a total of five commissions for the creation of new musical works. The commissions, awarded to both American and international composers, are granted jointly by the foundation and the performing organizations (also both American and international) that will present performances of the newly composed works.
All in all, the 2015 edition of the World Music Days was filled with lots of truly memorable music that was very well performed and I was very happy that I had the opportunity to be there to experience it firsthand. Still, I could not help thinking that this one-of-a-kind new music assemblage could be so much more than what had been presented in Ljubljana.
Playwright, composer, and performer Lin-Manuel Miranda, 35, was recognized for his work which reimagines “American musical theater in works that fuse traditional storytelling with contemporary musical styles and voices.” Mimi Lien, a set designer for productions such as Dave Malloy’s Natasha, Pierre, and the Great Comet of 1812, was also among this year’s round of 24 fellows.
Four emerging composers have been chosen from a national candidate pool to participate in the 2015 Columbus Symphony EarShot program. Activities will include two intensive reading sessions/rehearsals, feedback sessions with orchestra musicians and mentor composers, a final dress-rehearsal, and a public concert that is part of the CSO’s Happy Hour Concert Series.