Discovery Grants aim to identify, support, and help develop the work of female composers writing for the operatic medium, raising their visibility and promoting awareness of their compositions.
This season, four composers will have a new symphonic work workshopped and read by Berkeley Symphony at the Osher Studio in Berkeley on May 2, 2015 at 3pm (the first public unveiling of the composers’ works in process) and on May 3, 2015 at 7pm (a run-through of the completed pieces).
The Guggenheim Foundation has awarded fellowships to 175 scholars, artists, and scientists–among them 11 composers.
Pittsburgh has more going on in new music, and the arts in general, than you would expect for its size (around 300,000 people in the city, and 2.4 million in the metro area). This is due in part to a high density of universities with good music programs, but new music events aren’t confined to the academic year. When summer comes and many cities offer little in the way of classical music besides orchestral pops, Pittsburgh has more modern sounds than you can shake a 4th of July sparkler at.
To be a real leader, one must possess certain traits such as dignity, integrity, and a sense of fairness, all of which Clark Terry embodied. I personally feel blessed to have had the opportunity to be associated with Clark for more than 30 years.
Twenty performing artists will each receive $275,000 in flexible, multi-year funding as an investment in and celebration of their ongoing contributions to the fields of contemporary dance, theater, and jazz.
Seven composers have been selected for the 2015 Underwood New Music Readings which will take place on Wednesday, May 6 and Thursday, May 7, 2015 at the DiMenna Center for Classical Music in New York City.
Selected from an application pool of more than 600 submissions, 28 young composers (plus an additional seven accorded honorable mention) will be recognized at the annual ASCAP Concert Music Awards at Merkin Concert Hall in New York on May 21, 2015. The award-winning composers share prizes of over $45,000.
Tod Dockstader’s electronic music composition, for most of his life, was always an avocation, something he did part-time, outside of his day job, earning him little income. Being an outsider without academic credentials, Tod was denied grants and access to the major electronic music centers. Yet fans of his music included Federico Fellini, and Pete Townshend.
The Nashville Symphony has announced a newly created Composer Lab & Workshop developed and guided by Nashville Symphony Music Director Giancarlo Guerrero and composer Aaron Jay Kernis, who will serve as Workshop Director and Chairman of the Selection Panel.