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Remembering Ezra Laderman (1924-2015)

Ezra Laderman, smiling, wearing a jacket and tie

Over nearly half a century, Ezra Laderman found a home in the academic world, then in government service at the NEA, then back to teach and administer at Yale. Through all those changes, he continued to compose on a regular schedule, turning out a stream of superbly crafted works, no matter his other duties’ demands. What a role-model!

Remembering Tom McKinley (1938-2015): A Personal Reflection

Photo of McKinley wearing a tie and holding a score

William Thomas McKinley was a true American original and, to my knowledge, the first American classical composer who was also a major post-bop jazz pianist. He abolished this duality and saw creative music from a perspective of higher unity. Tom demonstrated how, musically and spiritually, one could embrace both—through notes, gestures, and at every imaginable level.

Come Away – Ezra Sims (1928-2015)

Ezra Sims at work composing wearing a dealer shade, seated at a desk with a manuscript score.

Ezra Sims came to a place so uniquely his own that it has no siblings, no cousins, no counterparts. His ear made the demands, and once he found the sound his ears sought, he drew the map for us to retrace his steps back to the music traditions he loved. He was not an iconoclast, but a logical evolutionist, who ironically arrived at his destination by a leap of faith.

Digital to Analog: Poems and Histories

Piano

What Andrew Pekler’s project and Vicky Chow’s recital had in common was that they both prompted consideration of a particular feature of technology: the technology you notice is almost always, at the same time, pushing another technology into the unnoticed background.

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