The International Contemporary Ensemble (ICE) has announced that Vanessa Rose will be its new executive director as of September 1, 2015.
Today the Detroit Symphony became the first American orchestra to make its performance archive available on-demand. Among the 100 full-length works featured are pieces of music by 17 living composers.
When you’re a far from the nation’s new music capitals, how to you build a vibrant creative life? When composer Ray Evanoff moved his life to New Orleans, this question became front and center.
This Sunday the virtual #musochat salon will hold its third open door event on Twitter to talk creative issues and career quandaries. How did all this get started in the first place? Here’s what we now know…
Earlier this month, we were all finally been able to see what Pluto looks like thanks to NASA’s New Horizons interplanetary space probe. Now, also thanks to NASA, we can all listen to the only album that has thus far physically traveled beyond Pluto–The Golden Record.
A World Wide Web Consortium Music Notation Community Group has been launched as the result of a partnership of MakeMusic, Steinberg, and Hal Leonard/Noteflight.
Chamber Music America has announced the recipients of its 2016 commissioning programs, supporting the creation of new works for small ensembles. CMA will distribute a total of $475,000 to 21 ensembles through two of its major grant programs: New Jazz Works, supported by the Doris Duke Charitable Foundation; and Classical Commissioning, supported by The Andrew W. Mellon Foundation.
In partnership with the Los Angeles-based new music ensemble wild Up, the American Composers Forum has announced the three winners of the 2015 American Composers Forum National Composition Contest, their fourth thus far.
SESAC, one of the three performing rights societies operating in the U.S.A., has agreed to buy the Harry Fox Agency (HFA), which is the pre-eminent American collecting agency for mechanical rights.
When a journalist like Tippett can interview anyone in the world, which musicians does she choose? And what does this tell us about musicians’ perceived impact in the wider world?