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Gloriously Messy Lodging: Zappa’s 200 Motels

Frank Zappa’s 200 Motels in LA

Frank Zappa’s 200 Motels is a glorious mess. In some ways this makes it the perfect thing to put on to celebrate the 10th anniversary of LA’s Walt Disney Hall and its already turbulent history. As for the score itself, it is—how should I put this?—spectacularly over-orchestrated, bordering on near-cacophony with unsettling frequency. I mean this as a good thing.

Double Trio: line upon line and Konk Pack

The three-station setup for Kate Soper’s In the Reign of Harad IV

The irony of intimacy found in a giant old warehouse is not lost on me, but the cordoning off of spaces within these huge buildings makes for a very personal and connected chamber music experience.

From the Shed to the Stars: Reflections on the Boston University Tanglewood Institute

Nathan von Trotha practicing the cymbals outside at BUTI

Boston University is currently reviewing their financial stake in the program and its future—both as part of the larger university and as directly connected to Tanglewood itself. But cutting BUTI or relocating it from its current campus would be a sad erasure of a rich legacy that stretches back forty-five years and encompasses the early careers of many prominent musicians.

Ostrava 2013

Amelia Cuni

The Ostrava Days, an intense biennial in the Eastern end of the Czech Republic, has long been known for stretching into long nights across August. But this year seemed especially expansive: there were performances of Philip Glass’s four-hour Music in 12 Parts and Petr Kotik’s nearly six-hour Many Many Women before the official opening night.

Copland House Announces 2013 Residency Awards

winners of the 2013 Copland House Residency Awards

Copland House has announced the names of eight American composers from five states and Great Britain selected for all-expenses-paid residencies during the 2013-14 season at Aaron Copland’s National Historic Landmark home in New York’s lower Hudson Valley.

New Music USA’s Project Grants Are Now Open

NMUSA Project Grants

Individual performers, composers, organizations, presenters, and other artists can all apply on behalf of their projects simply and at no cost. The new system boasts a streamlined process designed to allow music makers to showcase their work and ask for the support they need in a succinct and efficient manner. The first deadline is November 4.

Diligence is to Magic as Progress is to Flight

Austin Wulliman

In our contemporary music landscape, long-term collaborations can be logistically and financially difficult to achieve. Two weeks ago, I visited violinist Austin Wulliman and composer/bassoonist Katherine Young in their studio and was intrigued to see them working together in an entirely new context.

Kernis Resigns from Minnesota Orchestra

AJK

The following letter of resignation by Aaron Jay Kernis, the director of the Composer Institute at the Minnesota Orchestra, was submitted earlier today to President Michael Henson, the board of directors, as well as the musicians and staff of the Minnesota Orchestra.

Austin Soundwaves: A Challenge Like Nothing Else

Austin Soundwaves rehearsal

When considering new directions in music education, examining how students are taught is important, but so to is developing ways to reach students who otherwise might not have the opportunity at all. Through El Sistema, hundreds of thousands of Venezuelan musicians have been educated over the past three decades; El Sistema USA is now providing ensemble music lessons to thousands of underserved students throughout the US as well.

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