The MAP Fund, a program of Creative Capital supported by the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation, has announced its 2013 grants. The Fund will underwrite 41 new projects in the disciplines of dance, theater, and music, all works that in some way explore the boundaries of contemporary performance practices.
Created by composer and percussionist Nick Hennies, electro-acoustic musician/visual artist Sean O’Neill, and designer/UT lecturer Clay Odom, CLOTS is performed in a museum-like environment in which the audience members can move throughout the space and spend whatever amount of time they like experiencing the art.
Award winners and the groups co-sponsoring their commissions are Tristan Murail and YarnWire; Kaija Saariaho and Da Camera of Houston; Ronald Bruce Smith and the Del Sol Quartet; Kate Soper and Alarm Will Sound; and Wang Jie and the League of Composers/ISCM (the U.S. chapter of the International Society of Contemporary Music).
Jeffery Cotton—composer, entrepreneur, essayist, and fiction writer—has left us with a trove of darkly hued, deeply lyrical works that can be heard as a film noir soundtrack evoking the deceptively sunny Los Angeles of his childhood filtered through the haunted German expressionism he encountered as a student of Henze. But an artist’s life is not wholly contained in finished works.
Old First Concerts, a series founded in 1970 in a Presbyterian church in San Francisco, presented two exceptional young chamber ensembles performing contemporary music in late March. Both concerts demonstrated O1C’s commitment to emerging and mid-career artists who are exploring non-standard repertoire.