Since I loved the way Jim Hall played, I called him to set up a time for a lesson. The thing I loved about him was how relaxed he made me feel. There was no ego there, no “look how great I am.” He gave you just what you needed and that has been his approach to his improvisations: just the right amount of notes, no more no less, played with impeccable style and a tone that leaves you wanting more and more.
While mainstream media outlets have called attention to Jay Z’s nine nominations as well as contenders such as “Blurred Lines” (the Robin Thicke song and not the 10-minute microtonal violin and harpsichord duo by Canadian composer John Beckwith), there have been fewer reports about nominees in other categories and there are a total of 82 of them this time around.
Rosner was one of the true maverick composers of his generation. His music was predicated on the modal polyphony of the Renaissance and early Baroque, as well as on the pre-tonal harmony of late Medieval dance music, and the free triadicism and rhythmic phraseology of that music underlay his entire output, regardless of how far from those sources he ventured.
Like the stories of all great artists, most of the Lou Reed story is built on a mountain of crucial untruth—a wispy chunk of magical thinking, a campfire story of how “downtown” got that way. We like our myths, our legends, and we fight hard to keep them. Lou, as I called him, wandered into this stacked self-presentation so completely that I believe he had to believe it.
Individual performers, composers, organizations, presenters, and other artists can all apply on behalf of their projects simply and at no cost. The new system boasts a streamlined process designed to allow music makers to showcase their work and ask for the support they need in a succinct and efficient manner. The first deadline is November 4.