The CEOs of ASCAP, BMI, and SESAC were all together for a Texas BBQ lunch meeting organized by the Association of Independent Music Publishers (AIMP) in which each was individually asked about a variety of topics.
The panel awarded Ben Hjertmann the $12,000 Barlow Prize to compose a major new work for saxophone quartet. In addition, the endowment granted a total of $62,000 to ten composers who will write works for the following ensembles and musicians. They are…
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Sound and Music, a national agency for new music in Britain, has conducted a survey of 466 composers designed to explore the economic challenges facing the creation of new work. Average fee per commission in 2013: £1,392.
Three teams of new opera composers and librettists will premiere new 20-minute operas, each based on a contemporary American story, in a semi-staged concert performance on November 21, 2014 in the Kennedy Center Terrace Theater.
American Music Project, a nonprofit organization focused on supporting performances of American classical music and the commissioning of new work, to launch with premiere of Amy Wurtz’s Piano Quintet.
Lerew’s flagging entrainment of ultradian rhythms and the consequences thereof was commissioned by ACF, along with the works of two other competition finalists–Michael Laurello and Kristina Warren–which were workshopped by So Percussion at Princeton University.
As in his music, Richard Toensing (1940–2014) embraced the challenges of teaching with his simplicity inside complexity. He had an indelible ability to be engaging, stringent, rigorous, and nurturing all at once. He was well known for his integrity, his delightful wit, and his zero-tolerance policy for what he called “that bull-hooey ego nonsense that gets in the way of hard work and real life.”
Death sucks, not for the person who dies—it’s mostly a rational solution—but for the people who live on with the absence of a favorite living, breathing creature. There is a creepy scrawled note on my desk with “call Charlie” crossed off. For the past few years, we had been talking about making another Liberation Music Orchestra album.
Selected from a pool of over 80 applicants from across the country, Dan Visconti will be given the opportunity to work directly with the California Symphony and its music director Donato Cabrera over three consecutive years to create, rehearse, premiere, and record three major orchestra compositions, one each season.