Paul D. Miller (a.k.a. D.J. Spooky, That Subliminal Kid) is among 14 recipients of the National Geographic Society’s 2014 Emerging Explorer Awards. The only composer among this group of awardees (who will each receive a $10,000 award to aid further research and exploration), Miller was chosen because his work raises awareness about climate change, sustainability, global culture, and the role of technology in society.
Three iconic jazz composers, a Tejano singer-composer, a traditional Native American drummer, and a blues/gospel/R&B band are among the NEA’s thirteen newly named lifetime honorees.
Jim’s own music exemplified human oddity. It certainly did not aspire to impress or even express; it revealed. He was way out there. But Jim didn’t just get washed up on these exotic shores for lack of ability to navigate the waters around the mainland. He chose to make music a rare and deep experience.
The Live in HD transmission of The Death of Klinghoffer has been cancelled after concerns were raised that the Metropolitan Opera’s plans to transmit the opera might be used to fan global anti-Semitism. Adams describes the decision as “deeply regrettable” saying it “goes far beyond issues of artistic freedom, and ends in promoting the same kind of intolerance that the opera’s detractors claim to be preventing.”
Lee Hyla (1952-2014) was the “Alpha Composer”—charismatic, at the center of things. Not only composers, but jazz musicians and creative improvisers revered him, his creative energy was infectious. Everybody wanted a part of it, and he was happy to oblige.
Kevin Puts, whose contract extends for three seasons, will begin planning for the next Composer Institute, which will be held in January 2015.
Elodie Lauten (1950-2014) loved and respected music as a spiritual force and, with the wisdom of a sage, passionately instilled in others its importance, power, and significance. Using music, she nobly changed lives; there is no greater compliment.
Five jazz legends and 36 emerging talents were honored at the 2014 ASCAP Jazz Wall of Fame Induction Ceremony. It was an extraordinary celebration of the past, present, and future of jazz.
Among the first-prize winners in 13 separate award categories (ranging from educational folios to piano and guitar solos to choral and full orchestra scores) were publications containing music by Eric Ewazen, William Bolcom, and Mohammed Fairouz.
ASCAP and the League of American Orchestras present the awards each year to orchestras of all sizes for programs that challenge the audience, build the repertoire, and increase interest in the music of our time.