Field Reports

Wellesley Composers Conference and Chamber Music Center

The conference is among the old guard of summer composer institutes and will celebrate its 70th anniversary next summer. Headed by Mario Davidovsky for nearly 40 years, the primary goal of the conference is to provide emerging composers with an opportunity to work with some of the best players from New York and Boston and to have their works performed and professionally recorded.

Music is Music: The 2013 PARMA Music Festival

What was most striking about the PARMA Festival was its diversity; diversity within musical styles and event types, its combination of local, national, and international artists, and also its audience, which included a wide variety of locals–even some passersby who happened to see a poster on the street.

In the Bay Area: Cahill at the Piano and Music@Menlo

Pianist Sarah Cahill’s engaging solo recital last Friday included an advance look at a program of music by Henry Cowell she’s planning to perform at San Quentin State Prison next month. Though nearly all of the Music@Menlo’s programming is traditionally in the Bach/Beethoven/Brahms vein, one concert this year’s stood out for its programming of Nancarrow, Cage, Reich, and other 20th-century composers.

Wanted: Local Bay Area Musicians

This fall will be an exceptional time for San Francisco Bay Area musicians of all stripes who are interested in making music with a large community of fellow new music lovers. Two massive projects—Lisa Bielawa’s Crissy Broadcast and Rhys Chatham’s A Secret Rose—will be rehearsed and performed.

New England’s Prospect: Arlene Sierra at Yellow Barn

Sierra’s style is definitely more modernist than maverick, but her accent is a little more subtle and elusive. The music is dense, dissonant, precipitously fluid, but there’s a groundedness to the extravagance, pitch and even tonal centers anchoring the busy crosstalk.