Roberto Sierra’s Missa Latina gets a warm reception under Slatkin’s baton.
Fulcrum Point New Music Project gets elemental, devoting their entire season to music somehow connected to air.
The Washington, D.C., music scene welcomes the new Great Noise Ensemble.
The Arthur Doyle Electric-Acoustic Ensemble heats up the Ars Nova Workshop’s stage.
What today’s composers can learn from Mozart and Def Leppard.
Trimpin: Archival Investigations, housed through February 24 at the Jack Straw New Media Gallery, is a retrospective view of some of the artist’s best known pieces from the 1970s and ’80s—works which mark him as a master mixer of computers and traditional acoustic instruments.
The Cleveland Orchestra performs the U.S. premiere of a new piano concerto by French-American composer Marc-Andre Dalbavie.
Much has been made about Marin Alsop’s appointment as the Baltimore Symphony Orchestra’s new music director-elect—a post she’ll assume beginning in the 2007-08 season. To say the least, Alsop’s appointment marks an immense change at the helm for the BSO. Last night, Baltimore got a glimpse of the maestra in action.
Chicago Composers Forum’s Musicircus brought together over 500 performers, drawing a huge crowd.