Trimpin: Archival Investigations, housed through February 24 at the Jack Straw New Media Gallery, is a retrospective view of some of the artist’s best known pieces from the 1970s and ’80s—works which mark him as a master mixer of computers and traditional acoustic instruments.
The Cleveland Orchestra performs the U.S. premiere of a new piano concerto by French-American composer Marc-Andre Dalbavie.
Much has been made about Marin Alsop’s appointment as the Baltimore Symphony Orchestra’s new music director-elect—a post she’ll assume beginning in the 2007-08 season. To say the least, Alsop’s appointment marks an immense change at the helm for the BSO. Last night, Baltimore got a glimpse of the maestra in action.
Chicago Composers Forum’s Musicircus brought together over 500 performers, drawing a huge crowd.
A marathon-like new music “seance” evokes the spirit of Henry Cowell.
Unsilent Night marches a few hundred strangers into the surreal.
Intimate venue gives concertgoers an up-close look at a one-of-a-kind invented instrument.
After a concert of contemporary music by American women, you might say the homegrown Cavani Quartet is on track to become the next Kronos Quartet.
The Renegade Ensemble’s enlists armature musicians into its ranks, cultivating a more community-first approach which attracts a favorable crowd to this relative newcomer to the Twin Cities music scene.
Atlanta Symphony Orchestra premieres a new work by Robert Pound—a nine-minute concert opener he offered them entirely free of charge.