Field Reports

An Interview with Ricardo Zohn-Muldoon

The music of Ricardo Zohn-Muldoon is, for me, a satisfying challenge that requires the player to engage in intent chamber music—his own part is only a small portion of his concern, as at every moment an intricate contrapuntal structure is being advanced.

What’s in a Band?: Getting There

This week, I’m in Rochester, New York, rehearsing with the Eastman BroadBand, a contemporary chamber orchestra at the Eastman School of Music, in preparation for our upcoming tour to Mexico.

Life Without Art – Remembering Art Jarvinen (1956-2010)

Arthur Jarvinen (1956-2010) was a dynamo whose output seemed to be just a matter of course in a normal day for him, with his output switching gears seamlessly from concert pieces, to music with deeply imbedded theater, to his own self-created genre which he called physical poetry.


Suddenly and inexplicably I am lost, Marin Alsop stops conducting, the audience is utterly silent; I think I say, “Sorry, I have to start the third movement again.”

Passing It On: Zappa on Playing Zappa

Shortly before the band embarked on a 40-plus-date tour this past spring that included stops across the United States, as well as in Mexico, British Columbia, Nova Scotia, the Netherlands, Belgium, Israel, Italy, France, and the UK, Dweezil Zappa and I spoke about the challenges and the preparation that has gone into presenting his late father’s music to both new audiences and longtime fans.