The music of Ricardo Zohn-Muldoon is, for me, a satisfying challenge that requires the player to engage in intent chamber music—his own part is only a small portion of his concern, as at every moment an intricate contrapuntal structure is being advanced.
On any given day, the opportunities to hear live music in Amsterdam are vast; free-improvisation at a squat, experimental electronic music beamed to the moon and back at the local zoo’s planetarium, seasoned street performers, and world-class contemporary music are just a few of the flavorful events this city has to offer.
This week, I’m in Rochester, New York, rehearsing with the Eastman BroadBand, a contemporary chamber orchestra at the Eastman School of Music, in preparation for our upcoming tour to Mexico.
Arthur Jarvinen (1956-2010) was a dynamo whose output seemed to be just a matter of course in a normal day for him, with his output switching gears seamlessly from concert pieces, to music with deeply imbedded theater, to his own self-created genre which he called physical poetry.
Over forty concerts in two-dozen venues scattered throughout Oslo!
This was the first time I’ve ever experienced Marin Alsop live in concert and what a dynamic personality she is; the performance is also wonderfully precise.
Suddenly and inexplicably I am lost, Marin Alsop stops conducting, the audience is utterly silent; I think I say, “Sorry, I have to start the third movement again.”
I really wanted to attend as much of the Ultima Contemporary Music Festival as humanly possible. I picked up an all-access pass (which can be purchased at any local 7-Eleven!) which gets me into eleven non-stop days of music.
Shortly before the band embarked on a 40-plus-date tour this past spring that included stops across the United States, as well as in Mexico, British Columbia, Nova Scotia, the Netherlands, Belgium, Israel, Italy, France, and the UK, Dweezil Zappa and I spoke about the challenges and the preparation that has gone into presenting his late father’s music to both new audiences and longtime fans.
Huck Hodge and Paul Rudy, the two composers just chosen for year-long residencies at the American Academy in Rome, describe what the residency means to them and what they plan to do during their year abroad.