How has the younger generation been inspired by Reich? After this weekend, I feel that it’s much more of a philosophical legacy than a sonic one.
The Barbican’s “Reverberations: The Influence of Steve Reich” festival in London was a 14-hour marathon of epic proportions that would give even the most obsessive Bang on a Can fan a run for their money.
Composer and NewMusicBox correspondent Missy Mazzoli’s photos from the Barbican’s celebration of Steve Reich.
The Rethink Music conference enjoyed some heavy aegis: Berklee, the music trade fair organization MIDEM, the Harvard Business School, Harvard’s Berkman Center for Internet & Society. The nominal ambition was similarly impressive: “To talk about solutions to moving the music industry forward,” according to conference Executive Director Allen Bargfrede; to “foster creativity and a thriving music industry,” according to the conference website. Roger Brown offered as inspiration the British government’s 18th-century Board of Longitude and its competition to solve that problem of marine navigation. Since we now cross the Atlantic 360 times faster than they did in the 18th century, we should be able, Brown said, to solve the problems facing the music industry “360 times faster than it took to solve the problem of longitude.”
“Live Music Capital of the World” Austin, Texas, more than lived up to its name this past Saturday with the first annual Fast Forward Austin Festival.
On April 3, the Switchboard Music Festival was back with their fourth marathon concert, one of the most hotly anticipated events on the Bay Area’s spring calendar, and with excellent reason.
Portland boasts a wide variety of festivals, new music ensembles, and presenters, as well as a host of artists young and old who are finding new audiences for their music through creative programming and new approaches to communicating with the public.
A vast swath of America’s most distinguished composers studied with Milton Babbitt; that they are all different is a testimony to his teaching.
Never turn down an invitation to eat, drink, or dance
The music of Ricardo Zohn-Muldoon is, for me, a satisfying challenge that requires the player to engage in intent chamber music—his own part is only a small portion of his concern, as at every moment an intricate contrapuntal structure is being advanced.