Field Reports

Austin: Mozart Requiem–Undead

Requiem WEB

Mozart Requiem: Undead is the brainchild of Graham Reynolds, Peter Stopchinski, and Brent Baldwin. The trio commissioned Glenn Kotche, Caroline Shaw, DJ Spooky, Adrian Quesada, Kate Moore, Todd Reynolds, Petra Hayden, and Justin Sherburn to “finish” the Requiem based on a computer analysis of the original manuscript.

Austin: Fast Fo(u)rward

Tatsuya Nakatani

Fast Forward Austin is run by three Austin ex-pats who know what the town is all about and who keep that in mind when putting this annual circus together.

LA: A Spring 2014 Concertgoer’s Journal, Part 1

Claire Chase, flute

In March and April in Los Angeles, the concert calendar becomes impossibly saturated. These are just a few highlights from Maximum Minimalism, WasteLAnd, plus recent What’s Next Ensemble and Timur and the Dime Museum performances.

Boston: Practice Sessions

Robert Spano led the Boston Symphony and Jonathan Biss in the world premiere of a new Bernard Rands piece on 4.3.14 (Stu Rosner)3

Keeril Makan’s Letting Time Circle Through Us and Bernard Rands’s Concerto for Piano and Orchestra (with pianist Jonathan Biss) premiered in Boston.

Austin: Conspirare’s Moving Light

Craig Hella Johnson

Willie Nelson and Lyle Lovett have been honored as the Official Texas State Musician of the Year in the past, but last year’s honoree was Conspirare founder and artistic director Craig Hella Johnson. There’s a very good reason for that.

New England’s Prospect: Beyond the Sea

Matthew Ritchie's Monstrance/Remonstrance

Matthew Ritchie, currently in the midst of an 18-month stint as the Institute of Contemporary Art/Boston’s artist-in-residence, presented his collaborative piece Monstrance/Remonstrance with an impressive group of collaborators including Shara Worden, Bryce Dessner, Evan Ziporyn, and David Sheppard.

Brooklyn in Austin’s House

Brooklyn Rider

Providing great performances and cultural snapshots of Austin then and now, Copland and Mexico and Brooklyn Rider gave us an inside look into where we’ve been and where we’re going.

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