Field Reports

Chicago: The ancient future-music of Sam Scranton

scranton_detrivitore3

Sam Scranton’s Detritivore is an evening-length ensemble work that is both theatrical and restrained, simultaneously epic and intimate, and was so absorbing that I could not write about it without participating in the reverberations of the piece itself.

Houston: River Oaks Chamber Orchestra

River Oaks Chamber Orchestra

Based in Houston and drawing on some of the finest players in town and from around the nation, River Oaks Chamber Orchestra is gearing up for their tenth season. Founder Alecia Lawyer talks with Andrew Sigler about how this perception-challenging ensemble got started and where it’s headed.

Boston: Caroline Shaw’s Common Cause

"Your Second or Permanent Teeth" (anatomical diagram)

It is a remarkably elevated art that is so incapable of settling down, constantly inspiring its practitioners to use the output of one set of rules as the input for a completely different set of rules. Musical style is a moving target. It certainly must be.

Austin: Mozart Requiem–Undead

Requiem WEB

Mozart Requiem: Undead is the brainchild of Graham Reynolds, Peter Stopchinski, and Brent Baldwin. The trio commissioned Glenn Kotche, Caroline Shaw, DJ Spooky, Adrian Quesada, Kate Moore, Todd Reynolds, Petra Hayden, and Justin Sherburn to “finish” the Requiem based on a computer analysis of the original manuscript.

Austin: Fast Fo(u)rward

Tatsuya Nakatani

Fast Forward Austin is run by three Austin ex-pats who know what the town is all about and who keep that in mind when putting this annual circus together.

LA: A Spring 2014 Concertgoer’s Journal, Part 1

Claire Chase, flute

In March and April in Los Angeles, the concert calendar becomes impossibly saturated. These are just a few highlights from Maximum Minimalism, WasteLAnd, plus recent What’s Next Ensemble and Timur and the Dime Museum performances.

Boston: Practice Sessions

Robert Spano led the Boston Symphony and Jonathan Biss in the world premiere of a new Bernard Rands piece on 4.3.14 (Stu Rosner)3

Keeril Makan’s Letting Time Circle Through Us and Bernard Rands’s Concerto for Piano and Orchestra (with pianist Jonathan Biss) premiered in Boston.

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