Field Reports

Chicago: Hiking the Song Path, hearing music everywhere

song_path_walkway

For composer and sound artist Ryan Ingebritsen, Song Path is a practice that explores guided meditation and hiking as a compositional form. Ellen McSweeney caught up with him to chat about what it means for a primarily electronic artist to lead troupes of people through the woods.

Boston: SICPP’s Love and Geometry

A cynocephalus, from the Nuremberg Chronicle (1493).

On paper, the June 17 concert presented by the Summer Institute for Contemporary Performance Practice, part of the institute’s annual week of new music training, festivities, and shenanigans, made some piece-to-piece local connections but seemed more miscellaneous on a global scale. In performance, though, a theme kept peeking around the edges.

Boston: Bromp Treb Busts the Matrix

Bromp Treb (Neil Young Cloaca) at Café Fixe, June 10, 2014. Photo by Susanna Bolle.

Neil Young Cloaca is an irrepressible showman. Bromp Treb is an opportunity for him to apply that carnival-barker enthusiasm to a table full of mismatched gear. Cloaca circled the table, triggering highly distorted samples while playing up theatrical befuddlement, as if he was trying to decipher a recalcitrant machine—or defuse an eccentric bomb.

Chicago: The ancient future-music of Sam Scranton

scranton_detrivitore3

Sam Scranton’s Detritivore is an evening-length ensemble work that is both theatrical and restrained, simultaneously epic and intimate, and was so absorbing that I could not write about it without participating in the reverberations of the piece itself.

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