As a musicologist, I’ve been consistently impressed by Tony’s work as a theorist and historian of music—the way he has created critical foundations for his own work, within the long history of Western art music, all the while undercutting and mocking those very conditions of possibility.
Composers Jonathan Berger and Christopher Trapani will join a group of scholars, artists, and writers headed to Italy for a year-long residency at the American Academy in Rome.
Ten of the 24 electronic compositions selected for presentation during Switzerland’s 10th Forum Wallis (which were chosen from among 289 submissions from 45 countries) are by American composers.
In for a Penny, In for a Pound by Henry Threadgill (released on Pi Recordings on May 26, 2015) has been named the winner of the 2016 Pulitzer Prize in Music.
The American Academy of Arts and Letters has announced the winners of the Charles Ives Opera Prize of $50,000 and the Virgil Thomson Award of $40,000. These two prizes are the largest that are given exclusively to American composers of vocal music.
The 9 men and 3 women who have been awarded 2016 fellowships in the music composition category have created music is an extremely wide variety of styles, from operas and works for symphony orchestra to electro-acoustic music and jazz.
ASCAP Foundation President Paul Williams has announced the 15 recipients and 4 honorable mentions of the 2016 ASCAP Foundation Morton Gould Young Composer Awards.
The American Composers Forum will honor Gilbert Kalish, Nicole Paiement, Alex Ross, and Robert Spano during public ceremonies this year.
The American Academy of Arts and Letters has announced the seventeen recipients of this year’s awards in music, which total $205,000.
Between May and September, three different orchestras will give public readings of new works for symphony orchestra written by a total of sixteen jazz composers as part of the third Jazz Composers Orchestra Institute (JCOI) Readings.