The American Academy of Arts and Letters has announced the sixteen recipients of the 2015 awards in music, which total $205,000. The recipients will be honored at the Academy’s annual Ceremonial in May.
William Thomas McKinley was a true American original and, to my knowledge, the first American classical composer who was also a major post-bop jazz pianist. He abolished this duality and saw creative music from a perspective of higher unity. Tom demonstrated how, musically and spiritually, one could embrace both—through notes, gestures, and at every imaginable level.
The award includes a $30,000 commission, residency at the Hermitage Artist Retreat, a performance by a professional arts organization, and assistance with future performances.
Over the course of the next four months, the American Composers Forum will present “Champion of New Music” awards to Michael Morgan, Claire Chase, and the American Composers Orchestra at public ceremonies in Oakland, Brooklyn, and New York City.
The New Music Bake Sale brings you cookies and new music on March 15 at Roulette.
Ezra Sims came to a place so uniquely his own that it has no siblings, no cousins, no counterparts. His ear made the demands, and once he found the sound his ears sought, he drew the map for us to retrace his steps back to the music traditions he loved. He was not an iconoclast, but a logical evolutionist, who ironically arrived at his destination by a leap of faith.
The ASCAP Foundation has announced the 26 recipients of the 2015 Herb Alpert Young Jazz Composer Awards who will each receive cash awards and range in age from 16 to 30.
What Andrew Pekler’s project and Vicky Chow’s recital had in common was that they both prompted consideration of a particular feature of technology: the technology you notice is almost always, at the same time, pushing another technology into the unnoticed background.
During his three-year residency, Bates will compose music across artistic genres and curate a new contemporary music series. He will also advance initiatives that use technology to educate audiences and will encourage the inclusion of local artists and DJs in performances at the Kennedy Center.
The 2015 CMA/ASCAP Awards, the “New Music from CMA” commissions’ concert, and the majority of the ensemble showcases at the 37th national conference of Chamber Music America provided a real immersive new music experience—one in which definitions were constantly being expanded and which celebrated diversity and inclusivity.