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Greece

The latest release from Philip Glass’s archival label Orange Mountain Music is his world music epic Orion which combines the sound of his own Philip Glass Ensemble with important traditional music innovators from around the world including some he has worked with in the past—Chicago-based Gambian kora master Foday Musa Suso, the experimental Brazilian ensemble […]

Xenia

Though surely there are enough cellists in the world to avoid the necessity of it, recording technology means that if you want to play chamber music all by your lonesome, you can. Cellist Stephanie Winters gives it a whirl on her “solo” CD release Through the Storm. Though arguably less stylistically adventurous than that other […]

Ibidem

Before listening to this disc, Carei Thomas was completely unknown to me, although this sixty-year-old African American composer/pianist has been creating wild free improvisational music in the Twin Cities for over 30 years. Perhaps that’s because apart from a few self-produced homemade cassettes, his music only just started to appear on commercially released CDs. “Ibidem,” […]

Intersection III

Over the past 15 years, The Barton Workshop has garnered a reputation for their topnotch interpretation of New York School composers. Naturally they are the obvious choice to disseminate Morton Feldman’s mid-period graphic scores, the subject of this latest release in Mode’s ongoing Feldman Edition. Personally, I love the few loud and fast Feldman gems […]

Sonata Rhythmikosmos

When pianist Marc-Andre Hamelin took the stage at the 2001 Grammy Awards ceremony in Los Angeles, I still recall staring at the T.V. in disbelief and then, once I was over the shock of seeing a classical artist playing live at the ceremony, wondered aloud if this would be the industry’s Field of Dreams, “build […]

Symphony No. 8

The American Symphony Orchestra; Leon Botstein, conductor Beginning a symphony with maracas usually implies a Latin tinge. Not so for Roger Sessions’s Eighth Symphony, composed in 1968, which uses maracas as the sole accompaniment for the first utterance of an angular twelve-tone row. The result is one of the most clearly stated openings of a […]

For the Morning of the World

Orchestra 2001; James Freeman, conductorA friend mentioned recently that encountering something small done perfectly is one of the most satisfying experiences. Listening to the molto lento of Gerald Levinson’s For the Morning of the World, I had a similar epiphany. It turns out that the simple melody that snakes through the entire movement is based […]

You Must Be Free

If you hear a raucous clamor of guitars, bass, and drums wafting from your local museum, chances are the New Humans are somewhere inside. Their distinctive brand of alt-rock noise made a splash at the re-opening of the Walker Art Center, raised some minimalist-styled hell at the Swiss Institute – Contemporary Art, and are slated […]

Orchestra Song

Sandwiched in between two of William Schuman’s most potent symphonies is a shocking three-minute waltz from 1963 that is so anachronistic it’s downright revolutionary. Long before Dennis Busch and Milos Raikovich’s new classicism or Stefania De Kennessey’s Derrier Guard, Schuman proved with gusto that in the post-Cage universe where anything goes, new ideas could still […]

Drumming, Part Four

So PercussionDrumming is a piece that audiences never had to learn to like. At its premiere in 1971, after a hypnotically rhythmic performance delivered by a crew of 13 musicians, the audience was on its feet. The work remains a defining pinnacle in Western composition to this day. On this fresh recording of the minimalist […]

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