Albums

Sounds Heard: Rebekah Heller—100 names

It’s refreshing to hear the bassoon edging it’s way towards the sonic foreground in contemporary music. Anyone with doubts about how cool the instrument can be has not yet heard bassoonist Rebekah Heller perform; in her hands, the oft-underappreciated instrument is transformed into a fierce creature that cannot be ignored onstage.

Sounds Heard: Brooklyn Rider—A Walking Fire

Brooklyn Rider thrives in the realm of world music and folk traditions, yet they’ve always sought to tie this impulse into their considerable classical chops—all while at the same time cultivating the ensemble as a kind of composer collective led by violinist/composer Colin Jacobsen.

Sounds Heard: Jacqueline Humbert & David Rosenboom—Daytime Viewing

While Jacqueline Humbert and David Rosenboom’s Daytime Viewing is a by-product of that brief window in the late 1970s and early 1980s when a fusion of experimental music and New Wave created numerous uncategorizable hybrids, it is also very much a harbinger of our own much longer-lasting “indie-classical” zeitgeist.

Sounds Heard: Daniel Wohl—Corps Exquis

The music included on this nine-track album showcases a seamless marriage of acoustic instruments and electronics that opens its mouth and sings, up close and personal, in a language that retains its vibrant human energy even while being processed and polished by Wohl’s electronic hand.

Sounds Heard: Christine Southworth–String Quartets

A couple of months ago, I came across a new disc devoted to Christine Southworth’s music with an immediately identifiable title, String Quartets. But after hearing the truly new sound world she created in her earlier disc—called Zap! Music for Van de Graaff Generator, Tesla Coils, Instruments & Voices—I was quite sure she’d create something totally unusual despite using the most popular instrumental combination in all of chamber music. She did not disappoint!

Sounds Heard: Luke Cissell—Cosmography

Who is Luke Cissell? It sounds like the name of a character from either a Louis L’Amour or Flannery O’Connor novel, or perhaps the protagonist in something published in Astounding Stories magazine. Fittingly, the press release that accompanied a CD of his music described it as “bluegrass on a distant planet.”

Sounds Heard: The Art of David Tudor (1963—1992)

The recently released boxed set of electronic music pioneer David Tudor’s work, The Art of David Tudor (1963—1992) on New World Records, charts his transformation from interpreter and co-composer to composer/performer, presenting a selection of full performance recordings of many of his groundbreaking works.