Andy Milne explains how he wound up in the captain’s chair on the Enterprise.
Listening to Charlie Parker’s 1945 recording of “Now’s The Time” changed Sheila Jordan’s life, but hearing her sing “You Are My Sunshine” changed mine.
Before we close the file on 2014, New Music USA staff members have chosen some of their favorite tracks from the past twelve months for this edition of the NewMusicBox Mix.
In Wolff’s music, one might say that the implied history of each piece, the fact of its composition, its notation, its interpretation and performance, is elevated to the point where it is not just present, but it is, in fact, how the piece is experienced. Every sound is a reminder of its own origin.
Wayne Horvitz’s music for 55: Music and Dance in Concrete, taken out of its original site-specific multimedia context, comes across as part psychedelic soundtrack (think Barbarella), part mysterious fun house (think Sleep No More).
Negative Space is the first full length album of electronic musician/sound artist Michael Hammond’s recording project No Lands; it features nine electronic works that combine song format and ambient soundscape—the work of, as Hammond states in the liner notes, “Three years and a hurricane.”
Michael Ching’s A Midsummer Night’s Dream is resolutely tonal, frequently extremely tuneful, and sometimes borders on pop. Yet it is radical and totally unexpected. There are no instruments in the orchestra, every sound is made by voices. It sounds nothing like what you might imagine an opera based on Shakespeare would sound like. And yet it totally works.
Composer-trombonist-conductor JC Sanford’s recent release Views From The Inside on Whirlwind Recordings delivers loads of aural surprises wrapped up in layers of jazz orchestra.
Jeffrey Mumford’s recent 2-CD album through a stillness brightening features a selection of imaginative, skillfully executed solo and chamber works to fire up the ears.
A wide-ranging Boston summer playlist featuring tracks from Pulitzer Prize Fighter, the Boston Modern Orchestra Project, Mehmet Ali Sanlıkol, Neil Cicierega, and the Boston Symphony Chamber Players.