Blogs

January: Wyoming and the Open

Brush Creek, Wyoming

In December 2013 I gave away many of my possessions, moved out of my apartment in Chicago, and set out on the darkest day of the year—abutted in nearly every direction by sleet and snowstorms—to drive to the west.

Composing on the Pacific Crest Trail

Pacific Crest Trail: Wind

Beyond exploring our ever-evolving relationship to the natural world over tens of thousands of years, deep ecology, and humorous battle stories, 314 miles into my walk there have been a number of practical concerns and adjustments to make in my remote, mobile residency.

Classical Music in the Era of ESPN

What if there was a ESPN's Scorecenter that showcased music scores.

Would a “classical music ESPN” work in bridging the gap between our great musical institutions and every cable-subscribing home in America? By leveling the media playing field, could classical music once again compete for the attention of American households?

What’s In a Festival? NY Phil Biennial Pre-Game

nyphil-biennial

This week marks the start of something big, busy, and possibly brilliant in New York: the first edition of the NY Phil Biennial. Beyond what look like some exciting programs, I’m waiting to make any grand assessments on something so damn grand.

Making the Numbers Work

A scene from Potential Energies.

One of the toughest parts of being a musician in new music is finding the balance between making a living and performing the music and concerts you are passionate about. This is a puzzle that I constantly struggle with.

Music and The Number Four

The number 4

I have poured a great deal of energy into the way I write about music, as I have similarly done for the way I compose and play music itself. I am discovering that it is not so much a matter of finding (or re-finding) the right note, the right chord, the right word.  Rather, a note, a chord, a word, then another, then another, until you are out of space.

Performers as Co-Creators

Potential Energies-rehearsals

Co-creation is something not often explored in the classical genre, and after working on Potential Energies, I’ve been thinking about how the choreographer-dancer process could be applied in creating new compositions.

Music and The Heart

Heart w staff paper

The Heart does not care about the Music you have prepared for him to grasp.  Music is already difficult to grasp through the Mind and Body; why would it be any different for The Heart?

Should I Start a New Music Ensemble?

Nouveau Classical Project headquarters

Considering that our industry is saturated, audiences are small, and funding is limited, it’s essential to think about how you’re going to fit into the world of new music. Perhaps it would be more worthwhile to seek an ensemble where you can share your ideas and join an already fully formed team instead of pursuing a similar venture from scratch.

Page 8 of 228« First678910Last »