Jazz: The Smithsonian Anthology, the latest edition of the seminal collection originally released forty years ago, has the most democratic profile of any of its antecedents, but there are still some questionable inclusions and omissions as well as some curious musical pronouncements in the set’s accompanying annotations, e.g. should Ornette Coleman be called a microtonalist?
One of the names left out of my post last week was that of Sathima Bea Benjamin, who passed away on August 20, the same day as pianist Marian McPartland. Benjamin spent much of her time working as a political activist, in addition to serving as the manager and agent for her husband, pianist Abdullah Ibrahim. But she also remained active as a singer and recording artist herself, even though her own artistic accomplishments remained largely invisible.
While the road of student life does end, it’s only as a runway does: as a necessary path to greater things above and beyond. After spending a great deal of time talking over this particular issue with participants in this summer’s Fresh Inc Festival, I want to share some thoughts on the most important things to keep in mind while transitioning out of student life.
I can see why the Bureau of Labor Statistics might combine music directors and composers, since neither occupation performs (at least for public consumption) on an instrument or sings in the execution of their occupation. But there are many reasons why this conflation of composers and music directors is inappropriate; our occupation deserves its own category.