The Friday Informer: The Da Vinci Coda

The Da Vinci Code gets more play from the music than the plot, the International Music Police launch their own Schoenberg investigation, expected chatter concerning lists and critics. Plus: How did that piano get there?

Process City: Like Mapquest (But For Composers)

It has occurred to me that our music is probably less a result of our processes than vice versa: We want to meet certain goals in our music, so we’ve accumulated, synthesized, and exercised skills that allow us to accomplish these goals.

A Lack of Imagination

Why is it that we take such care programming a concert by professionals, yet often fail to take the same approach with our students?

Day Six: Crash-Course Fatigue

Exhaustion and its effects have begun to sink in, for all of us involved. The glazed-over look has become all the rage in the wing of Orchestra Hall we’ve taken over.

Day Five: Am I Hooked?

Have I lost focus, here in orchestra-orgasmafantasyland? Have I begun to think that now I would actually like to inhabit this world and set up a little patisserie?