When confronted with names of people I’d never heard of in the voting booth this morning, I suddenly felt a kinship with the imaginary folks in so many classical music critics’ articles who feel bewildered by unfamiliar names in a record store or on a concert program.

Not So Perfect

What is perfect, or (as it is also called) absolute, pitch? It is relative, not absolute, and anything that is relative is not “perfect.”

Babbitt for Babies

Why do composers discount music’s surface level? Maybe the key to deeply engaging listeners lies at the most uncomplicated, superficial level of musical expression, the facade that hides all that ungainly counterpoint and harmony.

Why Don’t You Come Over Here and Make Me

No composer has the power to force a listener to approach his or her piece in a particular manner. On the other hand, how can a composer write for an audience with a potential infinitude of ways to listen?

Equal But Separate

Despite everything those elitist connoisseurs keep telling you, classical music is not inherently superior to all other genres of music.