So who’s writing In Memoriam Abu Musab al-Zarqawi? Come on. I’m sure it’s at least crossed somebody’s mind.
The Knights played a concert at the visually stunning Angel Orensanz Center called Rewind which I should have loved, but they never stopped playing.
Time again and again I have witnessed concert halls packed with avid followers for youth orchestras and often these ensembles have better precision and musicality than many adult community orchestras.
Most of the professional lenses might be trained on Brangelina’s baby this week, but if new music had a tabloid, we bet our Page Six would look something like this…
How much impact does today’s conservative discourse have on the music we write?
Mozart’s 250th birthday celebration throws more “fair and balanced” programming out the window.
While I had a fabulous time at the free Bang on a Can Marathon at Manhattan’s Winter Garden Atrium, my level of commitment and connectivity to the listening experience was nowhere near what it had been just days before in concerts at L.A.’s Walt Disney Hall.
Many composers who are mid-career or beyond lack the training and experience of composing music that is for the blossoming musician. How can we entice them into exploring this uncharted territory?
So, with the long holiday weekend cutting into the work week and rising summer temperatures to distract, apparently even sun-adverse bloggers have abandoned their computer terminals for a bit of R&R in the great outdoors. Or the boss has been peering over the cubical walls and monitoring keystrokes again. Either way, posting has been at something of a minimum…
I’ve tried my hardest to penetrate the Uptown/Downtown dialectic that seems to dominate stylistic discourse among many NewMusicBoxers, but there’s something about it that I could never quite wrap my head around, and I think I finally know what it is.