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The Friday Informer: Composers Gone Wild
October 14, 2005 / By

Noizepunk & Das Krooner (off the wall); Karlheinz Stockhausen (off the planet); Ubu web (back online); and more…

Acid Rain vs. Acid Jazz
October 13, 2005 / By

How does the weather affect music and vise versa?

Why It’s OK (and Unavoidable) To Be Yourself
October 11, 2005 / By

If being forced to work quickly doesn’t guarantee that you’ll create something outside what you normally do, what would guarantee such a result? Is it really ever possible to escape yourself in your work?

The Friday Informer: Stop me if you’ve heard this one
October 7, 2005 / By

The NEA deathwatch, pop culture vs. classical values, and a mop up of all the ink on Doctor Atomic.

Premature Capitulation
October 6, 2005 / By

As they say in the corporate world, time is money, but is there really any correlation between the amount of time a composer devotes to his or her own work and its aesthetic value?

Transubstantiation
October 4, 2005 / By

Elliott Carter gets a chance to hit a home run in Boston and Chicago at the same time, not even Bernie Williams can do that!

A Letter to the Editor
October 4, 2005 / By

The Perception-Reality Vortex, Take 2

The Friday Informer: Brought to you by [See Your Corporate Logo Here!]
September 30, 2005 / By

Experimental writers (just like us), rock stars (too tame for us), and public intellectuals (snub us).

Rewriting the Past and Calling it History at What Price?
September 22, 2005 / By

Stravinsky, Zappa, NWA, and possibly Ives, all had second thoughts about works that are considered landmarks of musical history. But, if the second thought happened after the historical fact, can the revision still be a landmark in history?

The Friday Informer: Reich (Not That One), Sonic Lasers (Non-Lethal), and Bass Clarinets (Record Breaking)
September 16, 2005 / By

Meet Ezra Reich. Influenced more by ’80s pop than dad, his band includes a guy named Elliot Glass, and it just gets weirder from there. More…