When life starts sounding like a Bollywood movie, it’s time to put down the champagne.
Imagine if Nielsen rates came in contact with new music: I’m ready for my corporate sponsorship deal!
What does the New Year has in store for new music?
I guess it’s time for me to throw out all of my books and free up several walls, but I’m already way behind my purging the walls from CDs and LPs I allegedly should have emptied in previous resolution cycles.
Since the old year is ending and a new year is about to begin, it seems an ideal time to voice a concern about how we parse old and new.
What on earth do video games have to do with new music? Well, for starters, there’s a whole generation of composers who are intimately familiar with the canon (the standard rep as it were) of video game music.
Get your jaw off the floor.
What on earth do composition professors actually teach their students about the art of writing music?
The affective, expressive content that’s supposedly the exclusive domain of tonal music can be analyzed, synthesized, and manufactured, and you don’t even need to bus senior citizens to Canada to get it cheaper.
Last month, Time magazine published yet another list of the 100 greatest albums of all time; but virtually nothing on their list exists outside of the sphere of the pop song.