Last Wednesday my husband and I took our three year old to her first concert—the annual Garden of Memory Summer Solstice Concert in Oakland. There was no rule as to whom or where you listened, and our kid was in heaven.
I’ve got one word for you: sousamaphone. Okay, also “Squeaky-deakey!” That’s right. It’s “awesome music,” baby…
When it comes to your music, offering performers and presenters a certain amount of flexibility has its advantages. What are you doing to make your compositions more versatile?
Every now and then, I run across a piece of information that completely rocks my world, only to find that everybody on my block already knows all about it. I don’t know whether the use of beta blockers in classical music performance is common knowledge, but I find this genuinely alarming.
True internationalism begins with an enlightened nationalism which is not prejudicial and therefore quite distinct from xenophobia and jingoistic patriotism.
Have you ever encountered a situation where you call for a player to improvise in a piece, only to have them look at you like a deer in headlights?
Farewell Ligeti, lyrebird does chainsaw impersonation, the dish on net neutrality, iPod news (human rights violations and…; death of…). Plus: Stump LaLa! This could take a while…
Should NewMusicBox run an obituary of Hungarian composer György Ligeti (1923-2006)?
Even if music is something akin to “intelligent design,” does it mean anything in the end?
So who’s writing In Memoriam Abu Musab al-Zarqawi? Come on. I’m sure it’s at least crossed somebody’s mind.