I’ve been forced to consider a problem I’ve been putting off for years: My music just doesn’t sound good enough.
I’m trying my best to recover from list-o-mania (you know, obsessing over all these lists of the greatest “fill in the blank”). However, my fuming while reading through all these lists did inspire some new lines of questioning about our relationship to the music we care about and its seemingly fragile relationship to the world beyond us.
Perhaps it is time to take matters into our own hands and create something like match.com for facilitating the creation and playing of new music by young players.
Look out world—here we come!
There’s no reason a so-called serious composer should feel the urge to pooh-pooh something just because it has a steady beat.
Is a little bass and drum in the mix the key to hooking ears?
Music is a very central part of the clothing store experience, but maybe there could be better music for such an environment than the music most clothing stores choose.
How do you teach fundamentals to students who are already writing big, large-scale works without squelching their imaginations? Do you rein them in? Do you let them run wild?
The week in media shows us how new music is both more and less popular in ways we never even imagined.
Does new music always have to be so, um, new? A little inventive non-innovation goes a long way too.