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Jazz Remixes

Jazz Remix

Jazz is all about repurposing pop and folk material for new expressive ends, and the greats were remix artists before the term existed.

There’s This Thing Happening: The New York Avant Garde Festival and Its Audience

An historic photo of a group of people playing outdoors on invented instruments

Composers and performers who participated in experimental music festivals of the 1960s are relatively easy to find and talk to if you want to track them down. After all, many of them went on to established careers in the arts, and they have gigs and websites and email addresses. But audience members? People who just wandered in off the street? That’s a little more difficult. Where do you even start?

Brahms’s Third Racket

circles

There’s no clearer way to see the creative thinking of a diverse group of musicians than to give them the same set of raw materials.

FLUX-PIECE, FLUXCONCERT, FLUXFEST: Maciunas’s FluxFest Kit 2

Detail of the poster for Jeff Berner's 1967 San Francisco Fluxfest featuring a drawing of a woman in a top hat and heels

I’m not here to argue about whether or not Fluxus is music. In some ways it is, and in some ways it isn’t. Personally, I find it hard to ignore that its members—many of whom at one point or another considered themselves musicians and composers—pointed to musical forms and instruments in so many of their titles and with so many of their materials and processes.

Mad Fresh

fresh yogurt

We in Western culture have a habit of reflexively using “original” as a synonym for “good,” especially in music. I’m going to argue that originality is not actually a virtue, but rather, that freshness is. The concepts are related, but not identical.

Why Not Include the Bird—Tudorfest, 1964

The cover of the CD booklet for New World Records' Tudorfest featuring a photo of David Tudor wearing a jacket and tie

The San Francisco Tape Music Center’s 1964 Tudorfest was more than what you could read in the reviews. It was more than its success. It was a scramble, a stretch, a compromise—the usual behind-the-scenes madness.

Biting Breaks: Sampling and Ownership

sample break

I make sample-based music because I feel like it’s more worthwhile to identify existing sounds that have been overlooked, to bring them to fresh ears, and to give them fresh meaning in new contexts.

Getting the Point

trumpet

The power of making music is found in the accretion of work and thought we put in over a lifetime, not single moments of inspiration.

Be the First Follower

Shirtless man dancing by himself in a park.

There are highly visible musicians who are bravely sticking their necks out. They are not programming what the audience wants, they are programming what the audience needs. Contrast this with the classical groups that program rock or pop transcriptions and advertise it as out-of-the-box thinking.

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