Blogs

Music in a Time of Snapchat: Ephemeral Contexts

busker

It’s fair to say that we yearn for more opportunities to enjoy music in less formal spaces. But can you still have a valuable musical experience while ordering a drink, chewing an hors d’oeuvre, or making conversation?

Hindustani Music: Let It Go

zoom recorder

When I began to study Hindustani music, I treated the recording of each lesson the way I would have treated the score of a Beethoven sonata, meticulously learning and memorizing each phrase, with all its subtle twists and turns. It took me years to realize that most Hindustani musicians do not practice this way.

Hindustani Music: Recitals of Gratitude

Esmail singing at Gurupoornima 2014

Gurupoornima creates a space for social and musical interaction between students, which helps to establish a community of students of varying levels of proficiency and to inspire them to continue progressing in their studies.

Off the Trail: Absorbing the Reflection of the PCT

Mary Clapp

Environmental degradation and cultural annihilation aside, the total combination of sounds on the PCT is something that is interesting and wondrous to behold. There’s often a special kind of beauty in the confusion that arises when you’re not entirely sure what you’re hearing.

The T.A.R.D.I.S. of Opulence

Lincoln Center

When we listen together, the space in which we convene affects our impression not only of the sound but of ourselves. To what degree are we as audience members encouraged to use our musical experiences to imagine ourselves as royalty of a different era?

(Don’t) Leave it to Bieber

concert crowd

I’m not saying you can’t hate some pop music; I’m just saying you can’t, in the presence of a practicing postmusicologist, hate on all pop music just because it is popular, disguising elitism as self-pitying pride in new music’s marginalized market position.

The Dilemma of the “Postmodern Avant-Garde”

Rock Paper And Vintage Scissors

Talking about a “postmodern avant-garde” might well seem oxymoronic. But what at first glance appears self-contradictory might, upon closer inspection, disclose itself as a fundamental social tension within new music culture—or, rather, a tension between the ideals of that culture and the material reality of contemporary socio-economic structures.

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