Morton Subotnick“More and more I am ONLY using a computer…” William Duckworth“…some of us are already beginning to develop new virtual instruments and to conceive of ways to facilitate live performances on line…” Pamela Z“Each time I have introduced a new tool into my arsenal, it has resulted in new ideas and added new colors […]
Anyone pursuing music, either as a composer, a performer or a listener, cannot escape technology.
Photo courtesy Morton Subotnick The speed of information access and the amount and low cost of memory will make MIDI output devices unnecessary in the performance of my music. More and more I am ONLY using a computer. I think we will see a major evolution in the recorded media. It will change to DVD […]
William DuckworthPhoto by Paula Court Music at the end of the 20th century is on the cusp of a major technological revolution. Unlike previous advances in technology, which centered on new sounds created with new electronic instruments, the next advance will focus on the internet. With the storage and retrieval of music well underway on […]
Paul LanskyPhoto courtesy New Albion I’d like to reply by first rephrasing the question: how do you think your music will change as a result of technology? I haven’t the faintest idea. All I know is that technology has already had, and will continue to have a radical effect on the music I write and […]
David Del TrediciPhoto by Robin Holland courtesy Boosey & Hawkes Best:1976 premiere of FINAL ALICE in Chicago with Solti conducting and Barbara Hendricks, soprano soloist. Because the piece was so tonal — long stretches in the purest D Major — I was terrified the piece would be ridiculed by the public, press and players. As […]
John Corigliano“The best premiere I can remember is that of my Clarinet Concerto with Leonard Bernstein conducting the New York Philharmonic and Stanley Drucker as the soloist…” Tim Page“…I’d choose the first performance of the orchestral version of Reich’s Tehillim in 1981 as the “worst” premiere.” Laurel Ann Maurer“I premiered [Meyer Kupferman’s] work “Chaconne Sonata” […]
Frank J. OteriPhoto by Melissa Richard Is the orchestra a viable contemporary American institution? That’s a question that’s been on a lot of people’s minds both within and outside the orchestral music community as well as within the new music community which all too frequently has been treated like an opposition political party. There are […]