Viewpoint

Personal Anecdotes About the Founders of the American Music Center Samuel Adler, Composer; Professor Emeritus, Eastman School of Music; Professor of Composition, The Juilliard School

Samuel Adlerphoto by Katherine CummingCourtesy of Samuel Adler In a 1926 speech, Aaron Copland said of Howard Hanson: “Hanson and Sowerby’s sympathies and natural proclivities make them heirs of older men such as Hadley and Shepherd. Their facility in writing and their eclectic style produce a kind of palatable music that cannot be expected to […]

What role, if any, do you think technology will play in the composition and performance of your music in the next 25 years?

Morton Subotnick“More and more I am ONLY using a computer…” William Duckworth“…some of us are already beginning to develop new virtual instruments and to conceive of ways to facilitate live performances on line…” Pamela Z“Each time I have introduced a new tool into my arsenal, it has resulted in new ideas and added new colors […]

What role, if any, do you think technology will play in the composition and performance of your music in the next 25 years? William Duckworth

William DuckworthPhoto by Paula Court Music at the end of the 20th century is on the cusp of a major technological revolution. Unlike previous advances in technology, which centered on new sounds created with new electronic instruments, the next advance will focus on the internet. With the storage and retrieval of music well underway on […]

Describe your best and worst memories of premiere performances

John Corigliano“The best premiere I can remember is that of my Clarinet Concerto with Leonard Bernstein conducting the New York Philharmonic and Stanley Drucker as the soloist…” Tim Page“…I’d choose the first performance of the orchestral version of Reich’s Tehillim in 1981 as the “worst” premiere.” Laurel Ann Maurer“I premiered [Meyer Kupferman's] work “Chaconne Sonata” […]

The Orchestra in Contemporary American Musical Life

Frank J. OteriPhoto by Melissa Richard Is the orchestra a viable contemporary American institution? That’s a question that’s been on a lot of people’s minds both within and outside the orchestral music community as well as within the new music community which all too frequently has been treated like an opposition political party. There are […]