Viewpoint

American Music’s “Elder Statespeople” Comment on the Future of Music Henry Brant

Henry BrantPhoto by Kathy Wilkowski, courtesy of Henry Brant What is happening in music may be compared to the current degradation of the natural world environment. Most music today emerges from loudspeakers, rather than from acoustically natural sources. In the United States, public interest is largely confined to commercial popular music. Genuine indigenous music worldwide […]

Self-Published Composers Explain What They Do and Why Terry Riley

Terry Rileyphoto courtesy New Albion Records For many years my written music was being handled for me by a publisher which was somewhat unfamiliar with what is needed to send out scores and parts to orchestras and other chamber groups. I supplied them with masters that were for the most part printed out from my […]

Self-Published Composers Explain What They Do and Why Amy Rubin

Amy Rubinphoto courtesy of Musicians Accord Self-publishing has permitted me to circulate my music to a wide variety of performers throughout the United States and Europe. I send perusal scores as quickly as possible to ensembles and soloists who express general interest in my work, and in addition I answer “calls for scores” listed in […]

Self-Published Composers Explain What They Do and Why Andrew Rudin

Andrew Rudinphoto courtesy of Skåne Hill Music Somewhere in a warehouse in the Midwest, hundreds of copies of a work I wrote for flute & piano lie sequestered by a major American music publisher. After contracting to publish the work, three years elapsed before engraving was accomplished and 1st proofs offered. Another year and a […]

Self-Published Composers Explain What They Do and Why Theodore Wiprud

Theodore Wiprudphoto courtesy of Allemar Music Self-publishing used to be a default position for me: no corporate publisher had brought out my music so I was the one copying scores and parts. Later I made a conscious decision to take my career into my own hands, to claim full responsibility for finding performers and an […]

Publishing, Self-Publishing, and the Internet

A panel held during the Women’s Philharmonic‘s “Composing A Career” SymposiumThe New School for Social Research, NYCSaturday, November 6, 1999—2:30-3:30 p.m. Fran Richard : Vice President of Concert Music, ASCAP Ralph Jackson : Assistant Vice President, Classical Music Administration, BMI Linda Golding : President, Boosey & Hawkes Jennifer Higdon : Self-Published Composer Frank J. Oteri […]

Self-Published Composers Explain What They Do and Why

Randall Davidson, Composer and Publisher of Boys Art Music“Self-publishing contemporary music is not at the glamorous end of the tide-pool…” Jennifer Higdon, Composer“…it seemed absurd to me to have to give up the copyright to my own creative work…” Donald Martino, Composer and Publisher of Dantalian, Inc.“…To obsessive types like myself it brings enormous satisfaction […]

The Current State of Music Publishing in America

Frank J. OteriPhoto by Melissa Richard The media has hyped the recent revolutions that computers have wrought as the most significant event in the history of publishing since Gutenberg invented the printing press half a millennium ago. But what impact will all of this have on the publishing of musical scores by American composers? I […]