Viewpoint

American Music’s “Elder Statespeople” Comment on the Future of Music George Rochberg

George RochbergPhoto courtesy Theodore Presser Company “Res Severa Verum Gaudium.” (“Serious things [bring] true joy.”) The past is in every present, hence in every future. “Eternity is in love with the products of Time.” (Blake) Surfaces keep changing, never substrata. The 18th/19th centuries’ in-gatherers all loved Res Severa. Their reward, Verum Gaudium, The Beautiful. Surfaces […]

Self-Published Composers Explain What They Do and Why Theodore Wiprud

Theodore Wiprudphoto courtesy of Allemar Music Self-publishing used to be a default position for me: no corporate publisher had brought out my music so I was the one copying scores and parts. Later I made a conscious decision to take my career into my own hands, to claim full responsibility for finding performers and an […]

Publishing, Self-Publishing, and the Internet

A panel held during the Women’s Philharmonic‘s “Composing A Career” SymposiumThe New School for Social Research, NYCSaturday, November 6, 1999—2:30-3:30 p.m. Fran Richard : Vice President of Concert Music, ASCAP Ralph Jackson : Assistant Vice President, Classical Music Administration, BMI Linda Golding : President, Boosey & Hawkes Jennifer Higdon : Self-Published Composer Frank J. Oteri […]

Self-Published Composers Explain What They Do and Why

Randall Davidson, Composer and Publisher of Boys Art Music“Self-publishing contemporary music is not at the glamorous end of the tide-pool…” Jennifer Higdon, Composer“…it seemed absurd to me to have to give up the copyright to my own creative work…” Donald Martino, Composer and Publisher of Dantalian, Inc.“…To obsessive types like myself it brings enormous satisfaction […]

The Current State of Music Publishing in America

Frank J. OteriPhoto by Melissa Richard The media has hyped the recent revolutions that computers have wrought as the most significant event in the history of publishing since Gutenberg invented the printing press half a millennium ago. But what impact will all of this have on the publishing of musical scores by American composers? I […]

Self-Published Composers Explain What They Do and Why Randall Davidson

Randall Davidsonphoto courtesy of Boys Art Music Self-publishing contemporary music is not at the glamorous end of the tide-pool. As a result, very little of my time is spent addressing the ocean of conductor/producers in the world who “might” use my music. I’m more aware of what’s close at hand, of the subtle currents that […]

Self-Published Composers Explain What They Do and Why Jennifer Higdon

Jennifer Higdonphoto by Patented Photos I basically do everything that an established publishing house does: I take orders from customers, print scores and parts, do the binding, mail the music, do the billing, report performances to ASCAP, and negotiate contracts for commissions. The duplication of music is not that difficult – any copy place can […]

Self-Published Composers Explain What They Do and Why Donald Martino

Donald Martinophoto by Lourdes Awad, courtesy of Dantalian, Inc. If not the first, I am certainly very nearly the first composer to establish by himself, for himself, and without banding together with other composers, a fully commercial publishing house which produces engraved or autographed editions in quantity by offset printing. It was the emerging tendency […]