Viewpoint

Using YouTube to Find a Pianist

It is hard to tell in advance sometimes if something new will turn out to be a good idea or a bad one, which might be a good reason to do it by itself.

With Every Christmas Card I Write

It is a pleasant irony that, the other day, as I was in a coffee-purveying establishment reading the latest round of recording-industry shills going on about how an even more draconian copyright regime is necessary to ensure creativity and innovation, I happened to hear Michael Bublé and Shania Twain duetting on a version of “White Christmas” that is a near note-for-note remake of The Drifters’ version.

Music After

If there’s one thing you can count on about an anniversary, it’s that there will always be another one. They just keep coming no matter what. As the 9/11 anniversaries come and go, you think that maybe this year you won’t mind so much, that this’ll be the year when you don’t notice it coming a month in advance because you become irrationally irritable and sensitive or because you can’t sleep.

Classical Music to Unite a Community

I’m sitting outside, picnicking with my family in a beautiful spot, sharing a view of a gorgeous river with 5,000 fellow residents of my rural community at southern Maryland’s River Concert Series. I see lots of young kids, teenagers, multi-generational families, people from all walks of life. I see a hillside just behind the stage, full of children running and playing. We’re watching the Chesapeake Orchestra, conducted by Jeffrey Silberschlag. The River Concert Series has been uniting my community for thirteen seasons.

There’s No Place Like STEIM

The Dutch government is slashing two hundred million euros literally overnight from the country’s arts budget. As a result, STEIM, along with many other arts organizations and music ensembles in the Netherlands, is losing funding in a drastic and devastating blow to the culture sector (read The Dark Age Netherlands). Despite all of STEIM’s activities and generous service and support to the international community, on January 1, 2013, it will lose its entire structural funding.

Embracing My Banana-ness: One Composer’s Journey Towards Finding Her Identity

I am what is known in certain Asian circles as a banana: yellow on the outside, white on the inside. Yellow as a product of Chinese parents; white as a result of my being born in Canada to parents who immigrated to Canada before I was born. And as it is for many second-generation Asians, the question of my identity includes a complex web of issues that have no easy resolution.

Juilliard Commencement Speech

The wonderful, astonishing truth is that the arts are utterly useless. You can’t eat music or poetry or dance. You can’t drive your car on a sonnet or wear it on your back to shield you from the elements. This “uselessness” is why politicians and other painfully literal-minded people during times of budget crises (which is pretty much all the time now) can’t wait to single the arts out for elimination. They consider that what we do can’t honestly be compared to the real business of life.

Tangoing with an Orchestra

In 1999, I wrote a piano piece and over the next year converted it to a longer four-movement full symphonic score. I proceeded to exhaust my contacts at no less than 12 major orchestras around the U.S. I received one response, from the Austin Symphony, which commented that the string parts were pretty tricky. That was it. The piece lay dormant until the summer of 2007 when, while I was camping in the Upper Peninsula of Michigan and trying to start a fire with the Detroit News, I read that Leonard Slatkin was attempting some interesting approaches to programming, so I sent it in.

Putting Away Childish Things

Only works that a composer explicitly wanted published should be published. Obviously, the reality is rarely that simple. In some cases, though, it should be. Samuel Barber had over 50 years during which to consider whether he wanted his early pieces published. He did not choose to do so, and I believe strongly that those wishes need to be respected.

Setting Cold Spring in Motion

At its core, Sean Griffin’s intermedia opera Cold Spring is an attempt to bring museums and archives together with performing institutions and local artists for mutual self-reflection and appreciation of each other as cultural thinkers. The work initiates and empowers an active interpretation of our lives as they relate to science and our notion of what constitutes meaningful progress.