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Commissioning Guide

Commissions form an important financial pillar that supports many composers’ careers, but negotiating compensation is often an uncomfortable topic. “Commissioning Music: A Basic Guide” continues to provide a baseline at which to begin the conversation.

Making It: Music and Money

money week (sq)

Get involved in Music and Money week: reading, thinking, commenting, sharing, discussing. On NewMusicBox or social media or in your local coffee shop. The more open conversation we can inspire the better. Here’s why…

The Cistern Chapel: Resonance from the Pacific Northwest

Dan Harpole Cistern

In the Pacific Northwest underneath the decommissioned Fort Worden is a 2 million-gallon concrete cistern, now empty, that has a 45-second reverb time. And its impact on experimental music has resonated across the country and down through the decades.

Stay Tuned: Celebrating Ben Johnston’s 90th Birthday with his 10 String Quartets

Ben Johnston and the members of the Kepler Quartet

By virtue of our recording project, the Kepler Quartet has had a privileged window into the essentially spiritual quest in Ben Johnston’s music. Johnston embraces a richer way of being: to work towards pure, honest relationships with others by using a vertical, harmonic approach concentrating on perfect intervals which produce less discord, increased resonance, and maximum clarity. At age 90, a full fifteen years after he stopped writing music, Johnston has come to a place in his life where his main goal is to have a positive impact on his environment.

What to Ware? A Guide to Today’s Technological Wardrobe

Circuitry for Salvage

Significant features distinguish software from hardware in terms of their apparent (or at least perceived) suitability for specific musical tasks, and this has an often-unremarked influence on musical processes. Nic Collins draws out some illuminating distinctions.

Why Pastiche Has Taken Over Music

Pastiche

Just look at the names: new complexity, neo-romanticism, post-minimalism—three of the broadest trends in contemporary music, all with echoes of pastiche baked right into their labels. Clearly artists have always taken ideas and materials from other sources—how could we not?—but never before have we so celebrated the attribution of those sources.

Tracing Influence

Open Faucets

We have always had cultural gatekeepers: artists, publishers, concert promoters, radio producers, teachers, etc. At the top of this filtering process is the mind and ears of the artist. What can help provide context for the music and enrich and inform the listening experience? Will that change the end result, deepen the experience, or help uncover influence?

The Forgotten Man: Teo Macero and Bitches Brew

Miles Davis and Teo Macero standing together each wearing a white shirt and a tie; Miles is also playing trumpet

Miles didn’t make Bitches Brew by himself; it was the product of a unique compositional collaboration between the trumpeter and his longtime, essential producer at Columbia Records, Teo Macero (1925-2008), an in-house composer, arranger, and producer for Columbia Records who also shaped and directed essential albums by Thelonious Monk, Charles Mingus, Dave Brubeck, Johnny Mathis, and Tony Bennett as well as a recording of music by Alan Hovhaness plus the soundtrack to The Graduate.

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