Personal Anecdotes About the Founders of the American Music Center Samuel AdlerComposer; Professor Emeritus, Eastman School of Music; Professor of Composition, The Juilliard School“…I handed Hanson’s letter to Copland who opened it immediately. His face brightened, and yet there were tears in his eyes as he read the letter…” John DuffyComposer; Founder and Former Executive […]
Morton Subotnick“More and more I am ONLY using a computer…” William Duckworth“…some of us are already beginning to develop new virtual instruments and to conceive of ways to facilitate live performances on line…” Pamela Z“Each time I have introduced a new tool into my arsenal, it has resulted in new ideas and added new colors […]
Anyone pursuing music, either as a composer, a performer or a listener, cannot escape technology.
Joseph A. Paradisophoto by Rich Fletcher The desire for musical expression runs deeply across human culture; although specific styles can vary, music is generally considered a universal language. It is tempting to surmise that one of the earliest applications of human toolmaking, after hunting, shelter, defense, and general survival, was probably to create expressive sound, […]
Photo courtesy Morton Subotnick The speed of information access and the amount and low cost of memory will make MIDI output devices unnecessary in the performance of my music. More and more I am ONLY using a computer. I think we will see a major evolution in the recorded media. It will change to DVD […]
William DuckworthPhoto by Paula Court Music at the end of the 20th century is on the cusp of a major technological revolution. Unlike previous advances in technology, which centered on new sounds created with new electronic instruments, the next advance will focus on the internet. With the storage and retrieval of music well underway on […]
Paul LanskyPhoto courtesy New Albion I’d like to reply by first rephrasing the question: how do you think your music will change as a result of technology? I haven’t the faintest idea. All I know is that technology has already had, and will continue to have a radical effect on the music I write and […]
Tim PagePhoto courtesy St. Louis Symphony Orchestra I’ll have to choose the world premiere of Steve Reich’s Music for 18 Musicians — April 3, 1976 at Town Hall in New York — as the most influential concert I ever attended. It opened new sonic worlds to me and literally pushed me into criticism: I HAD […]