Articles

How do you connect with composers to write new works for you and how does that fit in with your other activities? Katherine M. Shao, Managing Director and Harpsichordist, American Baroque

Katherine M. ShaoPhoto by Susan Scott, courtesy of American Baroque American Baroque’s adventures in new music began close to home. Our viola da gamba player, Roy Whelden, is a fine composer, and we were lucky to count a couple of other composers among our friends. After that, we had to start looking a bit further […]

What is the dominant musical style of today and what will be the dominant musical style of tomorrow? Martin Bresnick

Martin BresnickPhoto courtesy ASCAP Concert music today is influenced by such a wide and powerful range of sources – audio technology, computers and the Internet, popular, folk and world music, conceptual art, film and theatre, among others – that it is impossible to isolate a single dominant style. Despite, or perhaps because of that pluralism […]

Americana Arcana: What is the Most-Performed American Classical Music?

Bradley BambargerPhoto by Melissa Richard There is no doubt that American composers have come a long way since Dvorák admonished them to stop mimicking Europe and come up with a distinctly native form of expression. Yet determining just who are the most popularly successful (i.e., the most frequently performed) American composers on their home soil […]

Finding the Center

Maybe wherever you are—listening, composing, performing, writing and talking about it—is the center of American music.

What is the dominant musical style of today and what will be the dominant musical style of tomorrow? Marilyn Shrude

Marilyn Shrude Today’s concert music seems to be a blending of the many modes of expression we find around us-the term often used is “eclectic.” Because we have ready access to new works, we are able to digest them quickly and assimilate elements into our own compositions (both consciously and unconsciously). I don’t think there […]