David S. WarePhoto by David Katenstein, courtesy AUM Fidelity My solos are just about completely spontaneous, but I may have a pure conception in mind for a particular solo. It may or may not be based around a key center. Usually, what I’m trying to do is overcome something. There’s something inherent in every moment, […]
Just what is improvisation?
What exactly is a jazz composer and what constitutes a jazz composition?
Howard MandelPhoto by Melissa Richard Improvisation and composition are two sides of one coin alloyed in the medium of form. At least it’s how it is in jazz — though maybe a coin is too static an image for anything so dynamic as music or so fluid as the relationship of improvisation and composition. Not […]
It’s a funny thing how our weaknesses work, sometimes. My improvising abilities are pitiful – put something down on paper, I’ll play it, but ask me to make it up, and I’m just reading the inside of my eyeballs. The good aspect of the situation is this: I stand in awe of composer-performers who improvise. […]
Regina Carter“…If you try to do the same thing again, you wind up sounding forced and then it’s not improvisation anymore…” David Krakauer“…each improvisation develops a certain "worked out" quality that comes from the effort to achieve an emotional arc within a particular piece…” Tony Trischka“…I’ll often let my fingers lead my brain. In other […]
Regina Carter Photo courtesy Verve Music Group The point of improvisation is for it to come off the top of your head. None of my solos are worked out. Even though we play a lot of the same tunes every night and it could get easy to get locked into a comfort zone, you’re working […]
Frank, Do you have some kind of standing order, or trial by fire, where you encourage NewMusicBox staff to take radically offensive positions as a way of gaining experience in billboard exchanges – kind of like adversarial lawyer debates – and generating “discussion” and hits? Everyone seemed to agree that new music was chamber music, […]
Speaking directly to the importance of the places in which we make and listen to music
Matthew Albert“…Two methods of connecting with composers have worked extremely well for us so far: new music festivals and the Internet…” William Anderson“…We meet composers through our work with Cygnus, and also through our freelance work in New York and elsewhere…” Larry Ochs“…we took a tip from Kronos, went non-profit, and started finding money to […]