Articles

Making The Face

Producing my opera The Face outside of the world of traditional opera companies has been both challenging and freeing. Major companies have a significant infrastructure and financial resources, but they also tend to focus on a full season of standard favorites. A new music ensemble or small independent production company can dream and create independently.

Remembering Marvin Hamlisch (1944-2012)

When Marvin Hamlisch was inventing music, his focus and concentration were extraordinary. He would look at the words I had brought in for 30 or 40 seconds and hear something in his head. His hands would then take over. After that initial “idea” phase in the composing, there seemed to be no time-lag between his continued musical impulses and his ability to simply play them.

Remembering İlhan Mimaroğlu (1926-2012)

Composer, musicologist, record producer, and genre bending pioneer İlhan Mimaroğlu (1926-2012) died last month after a long illness. Composer Bob Gluck was one of the last people to do an extensive interview with him so we asked him to describe this one-of-a-kind music maker for us in memoriam.

Moondrunk for a Century: A History of the Pierrot Ensemble

As we approach the Pierrot Lunaire centennial, its instrumentation, once reflective of Viennese weltschmerz, has been internationalized, turned timeless, and endured both modernism and postmodernism. Briefly tracing its legacy reveals a story of artists grappling with tradition as well as practical realities.

Kingdom Come: Pere Ubu’s New Picnic Time

New Picnic Time was the rejoinder to any questions about what exactly Pere Ubu wanted, and the rejoinder was a mammoth stick in the eye. We heard a willful insistence on experiment and double-crossing, but also expressive darkness. Let’s look closer.

Why Do We Write Where & When We Write?

Apart from the time we take for performances, networking, promoting our work, etc., I am fascinated by how we composers inhabit our composer-clocks. Writing time: where is it, when is it, how is it.

Philadelphia’s Changing Opera Landscape

This week, Opera America will hold its 2012 conference in Philadelphia, with a focus on new works and innovative strategies. It is fitting that this conference should take place in Philadelphia, which in the past few years has become a center for new opera in the United States.

Great Expectations: The Challenge of New Music In New Spaces

When new music groups perform in rock clubs and other similar venues they are counting on these spaces to recontextualize what they do. But what about the venues that make this recontextualization possible? How do their priorities differ from those of more traditional venues? They are an essential part of this trend, but do they know it?

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