Analysis

Speak For Yourself! A Hyper-History of American Composer-Led New Music Ensembles

Ken Smithphoto by Melissa Richard For a composer, the urge to assume creative control in your own musical matters is as American as…well, Aaron Copland. But whether your frame of reference is literally the Copland-Sessions Concerts of Contemporary Music, a four-season project from 1929-1932 where American composers first took charge of bringing their music to […]

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