Analysis

The MP3 Phenomena and Innovative Music

Reprinted with the permission of Judy Dunaway. All rights reserved. (The following paper was presented at the Institut für Neue Musik und Musikerziehung in Darmstadt, Germany on April 9, 2001. Since then, many of the topics discussed have undergone considerable changes (most notably the corporate assimilation of MP3.com and Napster), and certainly more changes will […]

The MP3 Phenomena and Innovative Music Webliography

Books: Bettig, Ronald V. 1996. Copyrighting Culture: The Political Economy of Intellectual Property. Boulder, CO: Westview Press. Hacker, Scot. 2000. MP3: The Definitive Guide. Sebastopol, CA: O’Reilly & Associates. Hull, Geoffrey P. 1998. The Recording Industry. Boston : Allyn and Bacon. Rathbone, Andy. 1999. MP3 for Dummies. Foster City, CA: IDG Books Worldwide. Focus Groups: […]

Age: Does It Matter?

D.C. Culbertson over the yearsFinal photo by Mark Longaker, others unknown By D.C. Culbertson© 2001 NewMusicBox “Act your age!” “Age is nothing but a number.” “With age comes wisdom.” “He looks good for his age.” People talk a lot about age. They speak of golden years, midlife crises, middle-age spread, callow youth, being young at […]

The Asian Connection

Iris BrooksPhoto by Kevin Misevis, courtesy Iris Brooks As both a musician and writer I have been drawn to Asia like a magnet for many years. It is not merely the exotic sounds of the hypnotic instruments that lure me in, but a more all-pervasive aesthetic, incorporating space and grace in the sounds and intent […]

Appropriate Conduct? The Maestro in America in the Year 2001

Brian WisePhoto by Melissa Richard As American orchestras come to terms with dwindling, aging audiences, music directors are increasingly called upon to roll up their sleeves and develop bolder, more inventive ways of awakening the public’s appetite for orchestral music. The image of the Great Maestro – the heroic, omnipotent and often tyrannical conjurer who […]

The Form Without a Name: American Music Theater

Barry DroginPhoto by Lindsay Drogin Here’s a frustrating parlor game: Come up with a term for the form that includes the operas of Gian Carlo Menotti, the musicals of Leonard Bernstein, the dance-theater of Meredith Monk, the music-theater of Robert Ashley, and such hard to classify works as Porgy and Bess, Four Saints in Three […]

More Than a Coin Toss: Improvisation vs. Composition in Jazz

Howard MandelPhoto by Melissa Richard Improvisation and composition are two sides of one coin alloyed in the medium of form. At least it’s how it is in jazz — though maybe a coin is too static an image for anything so dynamic as music or so fluid as the relationship of improvisation and composition. Not […]

Four Quartets

Frederick KaimannPhoto by Melissa Richard Entering history on the ground floor is an exciting thing, but over time new floors get added beneath as you’re jacked high above the street where you entered. Eventually the hot dog vendors and beggars forget what you look like even if you’re, say, ridiculously fat. So it goes with […]