As American orchestras perform an increasing number of premieres each season, it is all the more difficult to obtain that elusive second performance. A major roadblock toward that goal is the frequent inability of composers—and their publishers and agents—to secure recordings of concert performances for use in promoting new works.
Daniel Felsenfeld in the woods.Rear Screen Projection by Randy Nordschow In her seminal novel A Room of One’s Own, Virginia Woolf famously wrote: “…a woman must have money and a room of her own if she is to write fiction.” That was then, in post-Victorian England. Now, here in America, all artists—not just women—need these […]
Nicole ZarayPhoto by Sean Gullette Do film composers ever get the fame they deserve? Probably not… They toil long hours for the Hollywood machine behind the heavy curtain of post-production, while the film’s stars and director are already sauntering through candid clips on Entertainment Tonight. Rarely do we see a film composer on prime time […]
The work of child psychologist Jean Piaget describes the gradual unfolding of the perceived world as a youngster ages. After a year or so, the baby begins to grab things and soon walks, talks, and covers even more space. The mature adult is fascinated with the lives of others as well as the heavens and […]
The two leading English-language reference works on composers of classical music, The New Grove Dictionary of Music and Musicians and Baker’s Biographical Dictionary of Musicians, brought out new, vastly expanded editions in 2001. Nearby library shelves are sagging with smaller, more specialized recent books offering information on American composers living and dead. An unprecedented amount […]
Guy Livingston Writing from Paris, in the beginning of the new millennium, the city of light seems pretty tame compared to its awesome role a century ago. From about 1880 until World War II, Paris was the rarely-contested center for new and avant-garde music, painting, and writing. This cultural hub attracted vast numbers of foreigners, […]
with Paul D. Miller a.k.a. DJ Spooky that Subliminal Kid Paul D. Miller’s Preamble: In an era of intensely networked systems, when you create, it’s not just how you create, but the context of the activity that makes the product. Operating systems, editing environments, graphical user interfaces—these are the keywords in this kind of compositional […]