Steve SmithPhoto by Andrew Kochera Peter Criss taught me to love Haydn. That remark deserves explanation, of course. To begin with, Peter Criss—neé Peter Crisscoula—was the original drummer for the loud, lewd, and garishly painted rock band Kiss. And it was my adolescent discovery of that band that started my long, ongoing relationship with music. […]
with additional reporting by Frank J. Oteri No one has enough time to do anything these days. Early 21st century life is a world of information overload. Channel surfing has become an aesthetic onto itself. An oft-cited criticism of classical music is that symphonies, operas, etc. are just too long. Many classical radio stations these […]
Music that melds diverse styles and “defies classification” is almost its own cliché these days. Yet no matter how many boundary-smashing genres we add to the ever-expanding list, the fence between pop and classical seems to be well patrolled and holding strong. Even for those who listen to and enjoy all kinds of music, that […]
Nicole V. Gagné In the concert halls of 18th and 19th century Europe, percussion was traditionally regarded as being almost exclusively a secondary aspect of orchestral music—and one best employed with caution. Ironically, this European attitude toward percussion was summed up by an American composer noted for his nationalism. In What To Listen For In […]
Benjamin PiekutPhoto by Megan Wolf When I initially spoke with friends and colleagues about the notion of a new “common practice,” I became aware that the concept is not nearly as widely-recognized as I had initially thought. Is it a set of performance techniques? Is it neo-romantic symphonic music? Or could it be defined as […]
Jed Distler multitaskingPhoto by Randy Nordschow The great lyricist Johnny Mercer liked to tell the story of how his wife Ginger struck up a conversation with a stranger. Asked what her husband did, Ginger replied that he wrote songs. The stranger replied, “Yes, but what does he do for a living?” Many composers, in fact, […]
No one can doubt that music has a big role to play in the world of political protest. The controversial musicians we read about in the papers, though, are mostly from the pop and folk genres. It’s not only that those musicians are more visible, though that’s certainly true as well. Classical music and jazz seem to have a more long-term, measured, even sublimated approach to political protest, slower to react and more deeply embedded in the structure of the music itself.
Photo By Chris Harris The music of another time often reveals the most intimate language of the people then, the images and emotions that they truly considered to be real and valued. To experience their interior world, the sound of the music is one of the quickest triggers to evoke sensations, deep proto-memories that seem […]