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Nature in Music
January 1, 2004 / By
Nature in Music

The ways music can be inspired by nature.

Making Marx in the Music: A HyperHistory of New Music and Politics
November 1, 2003 / By
Making Marx in the Music: A HyperHistory of New Music and Politics

No one can doubt that music has a big role to play in the world of political protest. The controversial musicians we read about in the papers, though, are mostly from the pop and folk genres. It’s not only that those musicians are more visible, though that’s certainly true as well. Classical music and jazz seem to have a more long-term, measured, even sublimated approach to political protest, slower to react and more deeply embedded in the structure of the music itself.

Neo This, Neo That: An Attempt to Trace the Origins of Neo-Romanticism
September 1, 2003 / By
Neo This, Neo That: An Attempt to Trace the Origins of Neo-Romanticism

Does the word “neo-romanticism” has historical validity?

I Built It! The Built Environment In American Music
August 1, 2003 / By
I Built It! The Built Environment In American Music

An American history of instrument building

Red Tape: The Difficulties Orchestra Composers Have Obtaining Recordings of their Works
June 1, 2003 / By
Red Tape: The Difficulties Orchestra Composers Have Obtaining Recordings of their Works

As American orchestras perform an increasing number of premieres each season, it is all the more difficult to obtain that elusive second performance. A major roadblock toward that goal is the frequent inability of composers—and their publishers and agents—to secure recordings of concert performances for use in promoting new works.

All Join In: A HyperHistory of American Choral Music
May 1, 2003 / By
All Join In: A HyperHistory of American Choral Music

A roadmap for the aspiring choral composer.