Downsizing Opera?

The times have never been as dark and uncertain for composers of new operatic works, but every crisis presents its opportunities; the times suggest that the less costly but not often performed smaller-forces opera, also known as chamber opera, may be entering its heyday.

Uniform Diversity: The Common Myth of Tonal Progress

Is the progress from a common practice to a diverse one truly progress, when it compels us to choose between a reactionary, audience-friendly idiom, an exclusionary avant-garde, or a sober modernism or ironic postmodernism that hovers between these two extremes?

In The Cut: A Composer’s Guide To The Turntables

While turntablism and its impact on the growth of hip-hop is well documented, the turntables have not received much notice in musical academia. Through this article, I hope to introduce my fellow composers and other students of music to an instrument with great expressive potential and a history of innovation.

Acoustic Ecology and the Experimental Music Tradition

Acoustic Ecology has evolved somewhat consciously from its original intentions but, as importantly, from activities that developed independently, in parallel to, or in reaction against it. Current usage of the term can now be found to describe any or all of these sometimes contradictory positions.

Generation of ’38 (Part 3): Because Time Was in the Air

Finding ways to forge new syntheses and techniques for themselves through explorations and surprising reconciliations of tonal and post-tonal languages, the generation of American composers born in and around the year 1938 moved into the forefront of American classical music in the 1970s and ’80s.