Analysis

Imagining Community at Bang on a Can’s First Marathon

Bang on a Can poster

Essential to the construction of community is the creation of a shared history: a rhetoric and a narrative about who the community is, and what its values are. And in order to create a new kind of community, Bang on a Can had to overplay its hand. Community had to be performed.

Communal Experimentalism in the Sixties: The Pulsa Group

Serge Tcherepnin, brainwave experiments at Harmony Ranch, 1970

As a group dedicated to exploring “perceptible wave energies” through light and sound, Pulsa created art and music that not only made group collaborations audible and palpable, but they also reminded their audiences and participants—through light and sound—that actions have effects.

Manifesting Community in Early Minimalism

Steel discs

Community is not one of the words typically included in descriptions of minimalism. Indeed, more often than community, minimalism had to do with conflict. But eventual authorial disputes were the result of a long series of close collaborative engagements.

In The Absence of Money

cash-dream

When compensation takes the form of passion and satisfaction, instead of monetary remuneration, what is the impact on performance quality, commitment, and artistic freedom? If we could remove money from the equation by making sure artists get paid enough to do better than get by, what would that look like?

The Cistern Chapel: Resonance from the Pacific Northwest

Dan Harpole Cistern

In the Pacific Northwest underneath the decommissioned Fort Worden is a 2 million-gallon concrete cistern, now empty, that has a 45-second reverb time. And its impact on experimental music has resonated across the country and down through the decades.

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