Author Archives: Will Robin

From the Shed to the Stars: Reflections on the Boston University Tanglewood Institute

Nathan von Trotha practicing the cymbals outside at BUTI

Boston University is currently reviewing their financial stake in the program and its future—both as part of the larger university and as directly connected to Tanglewood itself. But cutting BUTI or relocating it from its current campus would be a sad erasure of a rich legacy that stretches back forty-five years and encompasses the early careers of many prominent musicians.

Shape Notes, Billings, and American Modernisms

From Charles Seeger to his contemporaries William Schuman and Henry Cowell in the 1940s, through John Cage and William Duckworth in the 1970s and 1980s, to young composers like David T. Little and Gabriel Kahane today, the American shape-note tradition has been a steady source for reexamination and inspiration.

Sounds Heard: Ernst Krenek—Complete Symphonies

Reading the memoirs of Ernst Krenek while listening to a new boxed set of his five symphonies—recorded over the past two decades by the North German Radio Philharmonic Hanover and released in May by CPO—helps rekindle the Austrian-born American immigrant’s world of strength and beauty, revealing the tumultuous life and searing music of an unjustly overlooked composer.

Moondrunk for a Century: A History of the Pierrot Ensemble

As we approach the Pierrot Lunaire centennial, its instrumentation, once reflective of Viennese weltschmerz, has been internationalized, turned timeless, and endured both modernism and postmodernism. Briefly tracing its legacy reveals a story of artists grappling with tradition as well as practical realities.