Author Archives: Kurt Gottschalk

Ostrava 2013

Amelia Cuni

The Ostrava Days, an intense biennial in the Eastern end of the Czech Republic, has long been known for stretching into long nights across August. But this year seemed especially expansive: there were performances of Philip Glass’s four-hour Music in 12 Parts and Petr Kotik’s nearly six-hour Many Many Women before the official opening night.

The Second Performance and Beyond

How a piece goes from a perhaps uneventful premiere to even somewhat standard repertoire is the new music million dollar question. But one thing seems certain: There has to be a second performance.

A Week of Ostrava Days

Although some two dozen performances had already happened by that point, the official opening concert of the 2011 Ostrava Days—a biennial new music festival in the Czech Republic founded by the Czech-born, U.S.-based composer and conductor Petr Kotik—began with a massive orchestra on the floor, a pair of percussionists on the stage, and disembodied voices intermittently echoing through the hall, a meditation interrupted by brash, ritualistic themes and romantic interludes combined with an unusual pathos, moderating between militance and stillness.