Daniel Spreadbury talks about his work in open source and web standards, some of Dorico’s most exciting features for composers, and how Dorico users will benefit from the larger Steinberg ecosystem.
In this volatile environment, there’s a piece of economics that can help make sense of what’s going on, help us make better decisions as artists, and even help us make long-term plans.
Our own Kevin Clark wants to hear from musicians about big decisions you’re making in your careers.
The New Music Bake Sale brings you cookies and new music on March 15 at Roulette.
In open data sets, Suby Raman found a lot of really interesting stories to tell about the performing arts. Because he’s a composer, he knew what to look for in the data and what would matter to people. Because he’s a programmer, he knew how to handle the big data set itself.
The tricky part of advocating for the arts is that the really important parts are harder to put numbers on. This shouldn’t be surprising; the awesomest parts of art itself are the parts that are hardest to quantify.
While the findings of the National Center For Arts Research are encouraging for the state of the arts economy and their methodology is strong, the NCAR’s final analysis has no way to access an individual person who can exist in any or all of the categories they are attempting to study. I’m an administrator, but I’m also a composer, and an audience member, and a donor. It changes with the day, who I’m talking to, and where I’m standing.
There’s a long history in dictionaries, encyclopedias, and even atlases of including false and funny entries to protect from copyright infringement. The Grove Dictionary has had some classics over the years and now they’re giving the rest of us the chance to write some ourselves.
News came last week that the former London-based Sibelius team is now opening a new office to work on a brand new notation program–this time under the auspices of Steinberg, a German company known primarily for the sequencer Cubase. Here’s what Daniel Spreadbury had to say about the project.
It’s our turn to grab the bullhorn by the “on” switch and give a shout out for the adventurous music we wouldn’t want to live without.