A side effect of George Edwards’s sense of rectitude was his exaggerated abhorrence of self-promotion. Partly for this reason, his music has not reached a large public. The other reason is that the music is inherently complex and private. An oddity of his life and work is that his music scarcely ever manifests the manic humor and semi-suppressed aggression that were such integral features of his personality. Music was his refuge, his inner sanctum of order, beauty, and refined expression.