Articles by Dan Joseph
I am no proselytizer for modernism, but at least I accept that it happened and that our music and culture have been forever altered by it. Nothing is essentially wrong with the “tonal enterprise,” but most of us acknowledge that in the aftermath of the tumultuous 20th-century, we live in a dramatically expanded field of possibilities.
I have regular contact with many older composers, and increasingly many younger ones, but apart from a few close composer friends from my student days I seem to have very few peers of my own generation. I was born in 1966 and that puts me in the era of “Generation X”.