When she graduated with her master’s degree, Dale Trumbore give herself three years to try composing as a full-on career before considering any more schooling. She hasn’t returned to the classroom yet.
I’ve finally figured out how to break through the filter of self-doubt on a fairly reliable basis. For me, what works is a series of mantras—nuggets of wisdom from people smarter than I am that I can repeat until the filter unclogs.
There may be no greater way to make yourself feel like a bad composer—the worst composer, really—than watching the fluffiest of all fluffy shows in the house of one of the Great American Composers while being paid, essentially, to live there and compose.
“What are you working on now?” Few—if any—composers are willing to admit when we’re not writing anything. It’s time to acknowledge that in a creative practice, a period of rest can be necessary.
Where should one draw the line when it comes to application fees? How much is too much? And when it is too much, what is the best way to communicate that to the organizers who determine the fees? Tell us what you think…